Friday, May 17, 2013

how to write | responses


"I loved this play - for its heart and its bite. Erla and Anthony were so spot on in their mother & son roles that I almost felt like I was peeking in on real lives. Just when I when they were becoming familiar, there was another surprise - no one dimensional characters need show up on this stage! The struggles seemed so real and believable and very uncomfortable. I laughed, I held my breath, I cried. Another fabulous PT trip into being part of the human family." | Lorri Romhanyi, email

"Don’t let its title scare you away, How to Write a New Book for the Bible is first and foremost a beautiful story of love and family. ... There are some terrific performances here from this cast although it is the dynamic between mother Mary (Erla Faye Forsyth) and her caregiver son Bill (Anthony F Ingram) that feels most real. Forsyth is particularly good in balancing the surprising amount of comedy with the inevitable drama. There is real pain in Daniel Arnold’s portrayal of the prodigal son Paul... Byron Noble provides a suitably ethereal quality to his portrayal of the father, written almost as a distant memory." | Mark Robins, GayVancouver.Net

"This production embodies the beauty of life and clarity of death, and leaves the audience with a desire to continue to see the story unfold in their own situations. As Mary says, “Don’t make me look foolish, Bill,” we are reminded that the little things don’t make us foolish, they show who we truly are. Bill has not made her foolish, he has shown her heart and her love in all its infuriating detail – and we are left remembering “this [the everyday] matters,” and we need to make life matter every day." | Renee Evashkevich, The MB Herald

"New Book...is a memory play of sorts that is crackling with humour and insight into a particularly “normal” family. I found the simplicity in Ingram and Forsyth’s scenes to be very moving. The handsome set and clever lighting reinforces the story’s take on death, family, and love." | Chris Lam, audience email

"Playwright Cain combines humour and heartache very successfully in his play, and all four actors bring Cain’s characters to life in an incredibly poignant and talented performance. Bill Cain’s affection for his family and well-written dialogue combines with director Morris Ertman’s vision and affinity for this story to create a great night of theatre." | Erin Jane, Review Vancouver

"It is a great pleasure to see Ingram and Forsyth working together. The story moves back and forth in time so we see Mary as a young, energetic mother of two bickering boys and later, an aging Mary gripped with pain. Forsyth is the mistress of dry, withering sarcasm: “You don’t have a job,” Mary says to Bill. “You’re a writer.” There’s plenty of this kind of acidic repartee and Forsyth and Ingram do it so well." | Jo Ledingham

"My friend and I thoroughly enjoyed How to Write a New Book for the Bible. The well crafted script was both hilarious and touching with moving, genuine performances from all the cast. I’ve recommended it highly to several friends already." | audience email


"WOW! I never knew that a full dialogue can carry through without any breaks while still sustaining the drama, the edginess and the captivation of the audience’s attention. BRAVO! Please send my many thank yous to the cast and crew!" | audience email


"Erla Faye Forsyth, unapologetically inhabits Mary’s toughness, which, of course makes Mary’s playfulness more charming and her vulnerability more touching. For his part, Anthony F. Ingram... brings an active intelligence to the stage that’s always a pleasure to watch." | Colin Thomas, The Georgia Straight

"This engaging production was enjoyable, entertaining, approachable and very humanistic. I found the story to be both realistic and easy for the audience to connect with, especially if you have experienced the decline of older family members. It overcomes the challenge of focusing on a time in people’s lives which isn’t always happy or easy by managing to stay upbeat and even sneak in a little humour. A good choice by Pacific Theatre and well played by a strong cast." | Trevor Martin, Vancouver Vantage

"That title alone made me curious, and I imagine it would to you as well. After all, a play with that title can go either the theological route, making for a long evening of Bible recitations, or come off as a primer on writing, well, literally a holy book. Luckily for the audience, this is a combination of the two, with a great amount of humour thrown in to confront the gentle subject of aging parents close to death. Mother Mary (Erla Faye Forsyth) is a witty 82 year-young gal who gets the best lines in the play. Erla is fabulous in this role." | Ariane Colebrander | Ariane C Designs

Thursday, May 16, 2013

how to write | ctv theatre thursdays

This morning HOW TO WRITE A NEW BOOK FOR THE BIBLE was featured on CTV Morning Live's Theatre Thursdays segment! Watch the clip online here.


Theatre Thursdays is a new segment on CTV Morning Live with Local Drama Queen Katie Bennet. We think it's incredible that CTV is featuring Vancouver's theatre scene on a regular basis, and even better that Katie included our show this week! Thank you to everyone at CTV Morning Live for this one!

june 12-29 | you are very star

Craig Erickson was last seen in LEAVE OF ABSENCE but has been on our stage many times over the years and now he has written a show for The Electric Company!




Be Transported: You Are Very Star

VANCOUVER, BC: The Electric Company, known for their innovative, spectacle-infused and thought-provoking work, is pleased to present You Are Very Star, an immersive, transmedia event. Part live theatre, part site-specific, interactive experience, You Are Very Star will take place at the H.R. MacMillan Space Centre, Vancouver’s beloved Planetarium, June 12-29, 2013.

Part One: Orbiting the Cusp of Greatness (written by Craig Erickson with story development with Kevin Kerr), takes place in 1968, and will be experienced in the auditorium of the basement of the H.R. MacMillan Space Centre. The Interlude (by Georgina Beaty, Kevin Kerr, Naomi Sider and Veronique West), takes place in the Cosmic Courtyard and Lobby. Part Two: Transcendence (written by Kevin Kerr; story development with Sarah Sharkey), takes place in the Star Theatre in 2048, a world where we live inside technology, and are able to create conscious copies of ourselves. You Are Very Star struggles with centuries-old questions a large as the universe: Why are we here? What is our purpose? And can we transcend this earth—physically or mentally?

“The journey of the piece is an exploration of our relationship to dream and memory and how we negotiate the world we inhabit in relation to our expectations of the future and our memories of the past,” says writer Kevin Kerr. “Some believe that accelerating advancements in technology are destined to bring about an ultimate transformation of human consciousness and the birth of a new species that can design its future evolution. It sounds crazy, and it probably is, but there’s something in us that believes we can “beat the system”, to cheat death, to ultimately solve the riddle, why are we here? I love that we quest for that answer, but I wonder about the costs incurred as we do.”

You Are Very Star features Patti Allan, Dalal Badr, Kathleen Duborg, Chirag Naik, Marsha Regis and Michael Rinaldi. Direction by David Hudgins, Set and Costumes by Naomi Sider, Lighting by Adrian Muir, Video by Parjad Sharifi, Sound by Troy Slocum, and Transmedia Direction by Blake William Turner.

You Are Very Star
SCHEDULE: Tuesdays – Sundays June 12-29, 8pm | Matinees: Sundays, 2pm | Thursdays (June 13 & 20), 12pm | Previews: June 12-14, 8pm, June 13, 12pm | Opening: June 15, 8pm | Industry Matinee:June 20, 12pm |

TICKETS:  $30 regular performances, $15 for previews, $20 for Industry Matinee | Tix: Brown Paper Tickets |

VENUE: All performances take place at the H.R. MacMillan Space Centre, 1100 Chestnut Street, in Vanier Park.



kids camp | east side story guild workshop

Last Friday Kaitlin, our community engagement manager and resident kids camp enthusiast, had a treat as she got to visit the kids from the East Side Story Guild and teach an acting workshop with them. Over 30 kids from the community attended, and it was a fantastic afternoon of exploring theatre games and exercises. Big thanks to ESG for hosting Pacific Theatre in their space! 








This afternoon was a sneak peek into some of the games and fun that will be had this summer at our PT KiDS Summer Theatre School that Kaitlin will also be leading. The camp is already starting to fill up, and we encourage any parents considering registering their child to download the online form here or call the office (604-731-5483) and register over the phone. Looking forward to the summer!

Friday, May 10, 2013

june 14-16 | habeas corpus



Anthony F. Ingram is in HOW TO WRITE A NEW BOOK FOR THE BIBLE, Mack Gordon was in WITTENBERG, Susan Coodin was in THE VERONA PROJECT and ANNA HAGAN was in REFUGE OF LIES. Now they're all a part of Western Gold Theatre's staged reading at the PAL.





Running June 14-16 at The PAL Studio Theatre. 581 Cardero Street in Coal Harbour.
For tickets call 604-363-5734 or purchase them at the door.

Thursday, May 09, 2013

rule of thirds

Many of you are already familiar with the Rule of Thirds - a campaign that we began with MOTHER TERESA IS DEAD.  The good news is that we have secured another matching donor and will continue this campaign through the end of HOW TO WRITE A NEW BOOK FOR THE BIBLE!  The other good news is that we've got this great video explaining the concept of the Rule of Thirds.


The Rule of Thirds from Pacific Theatre on Vimeo.

Wednesday, May 08, 2013

how to write | director's notes 2

I've already shared with you director Morris Ertman's pre-rehearsal notes on HOW TO WRITE A NEW BOOK FOR THE BIBLE. Here are his thoughts after spending some time working on the show.



It’s been quite a journey unpacking this play. I was drawn to it because it resonates with a belief I have had for some time - that the mystical experiences of characters in scripture were real happenings that then were mythologized in stories so remarkable that everyone had to know about them. And because people understood that they were finite, they wanted the stories to outlive their telling of them, so wrote them down. The stories all had something in common - an understanding of our humanity in relation to a God who was engaged in the day to day life of humankind.

Well, if such a relationship truly exists, why wouldn’t there be more stories that become myths that inspire us to understand that relationship? Why would it end at the Council of Nacaea where a group of religious leaders and scholars determined what books would be in the Bible around 300 AD?

That’s why this play intrigues me. It’s the journey of a writer wrestling with an understanding of his family and himself within the context of a greater myth - a myth that reaches for an understanding of our place in the sea of humanity that has come before and will come after us. It’s a journey of self-revelation contextualized by Biblical story. It’s a “why does this matter” story set in the ridiculous, goofy, undignified, petty, pretend, rarely sublime, give and take of ordinary family life. (And yes, if truth be told, we’ve all been defined by the ridiculous more often than the sublime.) Bill Cain, the priest who became the writer of a play called How To Write A New Book For The Bible - a title so long that it can’t fit on the header of a page - wonders if maybe the sublime is revealed in part by the ridiculous. Maybe the best place to find grace is in the places we think it cannot live. If that’s true, there’s hope for a little divinity to show up in all our lives, and if it does, our stories are a continuation of a grand tradition of myth where the Kingdom of Heaven is evidenced on earth.

Morris Ertman, Director

Monday, May 06, 2013

how to write | interview with a palliative care physician

We were lucky enough to interview Margaret Cottle, a local palliative care physician and end of life educator, about palliative care in Canada.  HOW TO WRITE A NEW BOOK FOR THE BIBLE represents Bill Cain's autobiographical experience of his mother's final months of life, we thought it would be useful to share some expert information about what end of life care looks like here in Canada.  Below are a few snippets from the interview, but you can read the whole thing in our discussion guide here.


"While palliative care treats all symptoms, the fear of pain is often paramount. This fear, while completely understandable, should no longer be a major factor for patients at the end of life."

“Pain is what the patient says it is, not what the doctor or nurse thinks it should be.”

"It is important to understand that we do not need to be fearful, that we are not alone. There are numerous resources available and many people are willing and ready to help us in a wide range of capacities."

"Caring for and accepting care from one another are among the most profound and richest experiences in life. Sharing a difficult journey with another person is a tangible expression of mutual love that not only supports the person needing the care, it also nourishes the person providing the care. Yes, these situations involve uncertainty, sadness, loss and grief, but they are also full of laughter, hope and inspiration for everyone involved."

Read more in our discussion guide here.