stephen adly guirgis | begging god for an ounce of daylight

Fear has cost me years of my life, it has been at the root of my depression, and it has inflicted a lot of real pain on me and, by association, on others. I have found that – for me – the only thing that truly relieves that fear, that allows me the liberation to try to live and to work and to be the person that I want to be – the person that I am – is to have some kind of connection and relationship with “God”, or, as I often rebelliously address Him – “fuckin’ God.”

I don’t want God in my life. At all. Ever. Trust me. And I don’t know what God is. But, what I grudgingly – very grudgingly – admit, is that I need Him. You may read this play and love it. Or maybe you’ll hate it. Maybe you’ll skip over it entirely, or skim it and get bored. I don’t know. But I need to say that, in the end, in the pathetic, sad hours, after all the cigarettes have been smoked and every tool of procrastination exploited, what got this play written was me getting on my knees on the linoleum floor of my kitchen and begging God for an ounce of daylight. And those ounces came despite my best efforts to ignore them. Maybe this only proves that God can help you write a shitty play, I don’t know. I’m not here to sell God. I’m the kid who stole money out of the church collection plate to buy nickel bags and play pinball – and I wouldn’t put it past me to try it again. But, this God stuff is true. For me.


Stephen Adly Guirgis
author of Jesus Hopped the 'A' Train, The Last Days of Judas Iscariot

photo: Rob Olguin in Jesus Hopped the 'A' Train

dec 22 | christmas presence | set lists

CHRISTMAS PRESENCE

Saturday matinee, Dec 22 2012

ACT ONE

JOY TO THE WORLD | Nelson Boschman

The Butterfingers Angel, by William Gibson

THE ANGEL GABRIEL | Michael Hart

Man of Duty, by Tim Anderson

CAVE | Sheree Plett & Jeremy Eisenhauer

God In The Doorway, by Annie Dillard

OPEN UP | Nelson Boschman & Bekka Birkner

Pretty Well Picked Over, by Mike Royko

MAYBE THIS CHRISTMAS | Jonathan Anderson

Christmas Carol: Scrooge's Nephew & "No prisons?" by Charles Dickens

I HEARD THE BELLS | Jonathan Anderson

Snow Angel, by Tom Carson

CLOAK ROOM  | Sheree Plett & Jeremy Eisenhauer

Christ Climbed Down, by Lawrence Ferlinghetti

BEAUTIFUL STAR OF BETHLEHEM | Michael Hart

ACT TWO

ALL HAIL AND WELCOME | Michael Hart

The Seven Principles of a Successful Christmas, by Garrison Keillor

CHRISTMAS TIME IS HERE | Nelson Boschman

I WONDER AS I WANDER  | Sheree Plett & Jeremy Eisenhauer

Every Man Heart Lay Down, by Lorenz Graham

COME THOU LONG-EXPECTED JESUS | Jonathan Anderson

A Christmas Carol, "Early The Next Morning," by Charles Dickens

ANGELS WE HAVE HEARD ON HIGH | Michael Hart

No Safe Place, by Sheila Rosen

LIGHT AT THE STABLE | Sheree Plett & Jeremy Eisenhauer

*

Saturday evening, Dec 22 2012

ACT ONE

JOY TO THE WORLD | Nelson Boschman

The Butterfingers Angel

THE ANGEL GABRIEL | Michael Hart

?

MAYBE THIS CHRISTMAS | Jonathan Anderson

?

LIGHTS USED TO SHINE | Sheree Plett & Jeremy Eisenhauer

Thaddeus Bristol, by David Sedaris

CHRISTMAS TIME IS HERE | Nelson Boschman

Father Christmas, by C.S. Lewis

COME THOU LONG-EXPECTED JESUS | Jonathan Anderson

Snow Angel, by Tom Carson

CLOAK ROOM  | Sheree Plett & Jeremy Eisenhauer

ALL HAIL AND WELCOME | Michael Hart

ACT TWO

WASSAILING

BEAUTIFUL STAR OF BETHLEHEM | Michael Hart

Cotton Patch Gospel, by Tom Key

WE THREE KINGS | Jonathan Anderson

LET ALL MORTAL FLESH KEEP SILENT | Spencer Capier

Herod, by W.H. Auden

I HEARD THE BELLS | Jonathan Anderson

I WONDER AS I WANDER  | Sheree Plett & Jeremy Eisenhauer

Seth, by David Kossoff

ANGELS WE HAVE HEARD ON HIGH | Michael Hart

Creche, by Nicola Colhoun

LIGHT AT THE STABLE | Sheree Plett & Jeremy Eisenhauer

Links to several of these texts can be found here

dec 20 | set list | christmas presence

ACT ONE
Christmas Is Coming | Nelson Boschman, Bekka Birkner, Kenton Wiens
Charlie & Linus, by Charles Schultz
Christmas Time Is Here | Nelson Boschman, Bekka Birkner, Kenton Wiens
*
O Come All Ye Faithful | Lance Odegard
Innkeeper, by Frederick Buechner
Best Of Me | Sheree Plett & Jeremy Eisenhauer
Journey of the Magi, T.S. Eliot
The Magi's Page | Zoe Thiessen
Wise Fools, by Mike Mason
Impossible Dream | Lance Odegard
Christmas At The Turlingtons, by Stuart McLean
Cloak Room | Sheree Plett & Jeremy Eisenhauer

ACT TWO
I Saw Three Ships | Nelson Boschman, Bekka Birkner, Kenton Wiens
Politically Correct Christmas
Cold Gray Winter | Sheree Plett & Jeremy Eisenhauer
Screed, by Ron Reed
When The Ship Comes In | Lance Odegard
Your King Has Arrived | Zoe Thiessen
Foursquare, by Roderick Jelema
Joseph's Night Watch, by Karl Petersen
Cave | Sheree Plett & Jeremy Eisenhauer
Joseph's Suspicion, by Rainer Maria Rilke
O Sapientia, by Madeleine L'Engle
Light at the Stable | Sheree Plett & Jeremy Eisenhauer
No Safe Place, by Sheila Rosen
Alleluia Christ Is Born | Lance Odegard

Links to several of these texts can be found here

dec 19 | christmas presence | set list

ACT ONE

Christmas Is Coming (Nelson Boschman)

Charlie & Linus, by Charles Schultz

Blue Christmas (Kathleen Nisbett)

Hungry Man, by Ron Reed

O Come, O Come Emmanuel (Laurel)

Emmanuel, by Frederick Buechner & Madeleine L'Engle

Impossible Dream  (Lance Odegard)

Santa Claus: An Engineer's Perspective, author unknown

White Christmas (Garth Bowen)

A Keen Sense of Occasion, by John Lekich

All Wrapped Up In You (Laurel)

Presents, by Luci Shaw

Open Up (Nelson Boschman)

ACT TWO

Light House (Laurel)

Breaking Up Christmas  (Kathleen Nisbett)

The Seven Principles of a Successful Christmas, by Garrison Keillor

Jingle Bells (Laurel)

Macy's Christmas Elf, by David Sedaris

God Rest Ye Merry, Gentlemen  (Garth Bowen)

The Little Towns of Bethlehem, by John Terpstra

Huron Carol (Garth Bowen)

Joseph & Mary, by various poets

Golden Slumbers  (Lance Odegard)

Every Humble Knee (Kathleen Nisbett)

Feast Days, by Annie Dillard

Alleluia, Christ is Born (Lance Odegard)

Christmas Prayer, by Robert Louis Stevenson

wardrobe | artistic director notes

Here are Ron's AD notes on THE LION, THE WITCH, AND THE WARDROBE, now running in Coquitlam at The Evergreen Cultural Centre until December 22.

The Chronicles of Narnia captivate us not simply because they create a world we want to live in, but – as with all great literature – because they invite us to create that world ourselves, co-creators with the author. The world C.S. Lewis describes is vivid enough – a lamp post in a snowy clearing, fauns and dryads and dwarves and and icy queen, a secretive supper in a cosy beaver lodge – but it depends on you, the reader, to bring it to life. Lewis is a master of suggesting a world both exotic and familiar, providing just enough specific details to make us want to fill in the rest. With our imaginations.

When Pacific Theatre first began to devise our staging of The Lion, The Witch and The Wardrobe, we knew we didn't want to reduce the mighty, untamed Aslan to an actor in a lion suit. We knew we couldn't replicate the mob of horrible creatures at the Stone Table, or build onstage any sort of realistic forest or ice castle, or fill the stage with snow that would fall and freeze and thaw.

We weren't making a movie: we were creating theatre. We couldn't hand you depictions of all the products of the author's mind: it simply can't be done on a stage. Even if we had the budget for a massive cast and a theatre full of special effects, we knew it wouldn't be worth the effort.

Because the best we could build for you wouldn't measure up to the Narnia you can create in your mind. The fact is, that's how fantasy works: the story gets told, but you do the fantasizing. It's only magic because you bring the magic: Narnia gets a hold on your heart because you help build it, bringing all your senses to bear as you build the images, imagine the smells and textures, as you work with the creator to make a world.

And that's exactly how live theatre works: we depend on you to create a world with us. Without our audience, we're just a bunch of ordinary people putting on somebody else's clothes and talking weird. If you don't bring imagination to the theatre, if you don't show up willing to suspend your disbelief and pretend right along with us, you won't get your money's worth.

So we bring you the simplest possible Narnia: two grown children in an empty room where, once upon a time, years before, magic happened. If only it could happen again....

job notice | canadian badlands passion play

Three job notices from our friends at the Canadian Badlands Passion Play, running throughout the entire summer.

Crowd Director:
The Canadian Badlands Passion Play is currently accepting applications for a Crowd Director for the summer of 2013. The contract would run from May 14th to July 21st, with a 4-day pre-rehearsal directors’ retreat Friday, March 29th to Monday, April 1st . There is also a mandatory post mortem meeting on Tuesday, July 23. The Passion Play work week runs Thursday through Monday.

Job Description:

Part of a directing team consisting of: Lead Directors (2 Co-Directors), Assistant/Fight Director

Due to the large number of volunteer performers involved in populating the world of the Passion Play, a Crowd Director is hired to deal specifically with the body of performers without lines that are imperative to many scenes. Experience in large scale story telling (i.e. Greek theatre, opera, etc.), corporate movement, and physical theatre is essential. The role of the Crowd Director is very similar to that of the 3rd AD in Film productions. Their job is to work as a liaison between the Directors and the large group of performers of the play to execute the vision of the Director/s for the play. They are responsible for:

• Assigning crowd performers into small groups and large villages to provide the right amount of Men, Women, Children, Singers and Musicians into each crowd scene in the script.
• Designing, creating, and implementing crowd movement that fulfills the story ideas and vision of the Lead Director/s, Musical Directors, Fight Directors and Choreographers.
• Notating details of crowd blocking for the directors as needed.
• Assisting Stage Management to keep track of the overall blocking of the crowd performers during all scenes.
• Acting as a liaison between the individual performers of the crowd and the Lead Director/s, Musical Directors, Fight Directors and Choreographers by answering queries and questions or passing the questions on to the Directors at appropriate times to bring back the correct answers to the performers.
• Assisting with performer moral by ensuring each individual performer feels they are important within the world of the play and the production as a whole.

The Canadian Badlands Passion Play is one of Canada's largest outdoor theatrical events. Now in its 20th season, the company annually depicts the life, death, and resurrection of Jesus Christ in dramatic form. An epic story told on an epic scale, this year's production features a creative retelling of the Gospel of John by a mixed professional/volunteer cast of approximately 200 actors in a 2700-seat outdoor amphitheatre.

Any interested applicants are encouraged to email a resume and cover letter to Ms. Ailsa Birnie at pplayproduction@me.com no later than December 5, 2012. Short listed candidates will be contacted for interviews in the first two weeks of December with a hiring decision by Christmas, 2012.

Assistant Director/Fight Director:
The Canadian Badlands Passion Play is currently accepting applications for an Assistant/Fight Director for the summer of 2013. The contract would run from May 14th to July 21st, with a 3-day pre-rehearsal directors’ retreat Friday, March 29th to Monday, April 1st. There is also a mandatory post mortem meeting on Tuesday, July 23. The Passion Play work week runs Thursday through Monday.

Job Description:

Part of a directing team consisting of: Lead Directors (2 Co-Directors), Crowd Director

The Assistant/Fight Director’s responsibilities include the following:

• Assisting the director with background research for the show.
• Taking notes during rehearsal - usually on such elements as specific problem areas, character and relationship problems, actor-related blocking and acting problems, line notes, and so on.
• Working with leads and principles on their blocking, scene work or character development as approved or designated by the Lead Director/s.
• Directing specific scenes or components of scenes as designated by the Lead Director/s.
• Ensuring the safety of the cast, crew, and audience in any sequences requiring aggressive physical contact.
• Recommending to the Director the number and type of fighters needed for casting, conducting fight auditions and advising the director on casting of fighters.
• Designing, creating, and implementing fight/action sequences that fulfill the story ideas and vision of the Lead Director/s, Musical Directors, and Choreographers
• Rehearsing everyone who fights and assisting in additional combat/movement staging at the director's discretion.

The Canadian Badlands Passion Play is one of Canada's largest outdoor theatrical events. Now in its 20th season, the company annually depicts the life, death, and resurrection of Jesus Christ in dramatic form. An epic story told on an epic scale, this year's production features a creative retelling of the Gospel of John by a mixed professional/volunteer cast of approximately 200 actors in a 2700-seat outdoor amphitheatre.

Any interested applicants are encouraged to email a resume and cover letter to Ms. Ailsa Birnie at pplayproduction@me.com no later than December 5, 2012. Short listed candidates will be contacted for interviews in the first two weeks of December with a hiring decision by Christmas, 2012.

Design Coordinator

The Canadian Badlands Passion Play is currently accepting applications for the Design Coordinator for the summer of 2013. To facilitate Production deadlines for the project, the contract will be a flat rate fee for meeting dates and deadlines between Jan 1st/2013 through to July 15th/2013. The initial Design meetings and Drawing Deadlines would be in Early January 2013 and onsite production dates would be from early may to mid July.

Job Description:

The Design Coordinator is a person hired to function as a intermediary between the Directors and the production team during the final years of a production script where the goal is no longer creating new looks and pieces but maintaining and completing the look and idea of what was designed in the initial two years of a script. Once major design is done in year one and two the Design Coordinator assumes the responsibility for maintaining and or completing the original design concepts with repairs and additions that arise in the following three years. They function as a Fight or Dance captain would to the Fight Director or Choreographer but with more freedom to bring their own ideas into production.

This is the first year we will be using a Design Coordinator so this position may evolve as needed. The individual should be quick on their feet and amiable to suggestion and changing circumstance. Any experience with Landscape Design & Architecture and/or practical Construction Design & Architecture will be a strong asset as the Passion Play set and stage are a large exterior playing space housing a large cast made up of well over 150 performers and animals. The ideal candidate will be familiar with both standard theatre design concepts and film production design, as this production world lives a little in both.

The Canadian Badlands Passion Play is one of Canada's largest outdoor theatrical events. Now in its 20th season, the company annually depicts the life, death, and resurrection of Jesus Christ in dramatic form. An epic story told on an epic scale, this year's production features a creative retelling of the Gospel of John. The script will be originated by a mixed professional/volunteer cast of approximately 200 actors in a 2600- seat outdoor amphitheatre.

Any interested applicants are encouraged to email a resume and cover letter to Ms. Ailsa Birnie at pplayproduction@me.com no later than December 10, 2012

christmas presence | north shore photos

Here's some shots from the set up and rehearsal for CHRISTMAS PRESENCE ON THE NORTH SHORE last weekend.  Abbotsford, we're coming to you next!

dec 9 | christmas presence north shore | set list

At Sutherland Church

ACT ONE
O TANNENBAUM (Nelson Boschman)
Charlie & Linus | Charles Schultz
I CELEBRATE THE DAY (Andy Frew)
Christmas Dream | Eugene Peterson
GO TELL IT ON THE MOUNTAIN (Garth Bowen)
Screed | Ron Reed
WWJB (Allen Desnoyers)
Macy's Christmas Elf | David Sedaris
OPEN UP (Nelson Boschman)
A Child's Christmas In Scarborough | Howard Engel
WHITE CHRISTMAS (Garth Bowen)
Every Man Heart Lie Down | Lorenz Graham
ON THIS HOLY NIGHT (Anna Vandas)

ACT TWO
WASSAILING (Spencer Capier)
Holiday Greeting | George Carlin
GOD REST YE MERRY GENTLEMEN (Garth Bowen)
A Christmas Carol | Charles Dickens
ONCE IN ROYAL DAVID'S CITY (Anna Vandas)
For The Time Being | W.H. Auden
THE KING (Andy Frew)
GIFTS OF THE MAGI (Allen Desnoyers)
Shepherds | Gospel of Luke
ANGELS WE HAVE HEARD ON HIGH (Allen Desnoyers)
Christmas Dream: Angels | Ron Reed
FIRST NOEL (Anna Vandas)
A Child's Christmas In Wales | Dylan Thomas

Songs in boldface, with singers bracketed
Sources for readings listed with author's name: all the reading was done by Ron

Our other musicians;
Becca Birkner
Rick Colhoun
Kenton Wiens
Brett Ziegler

wardrobe | responses

What people are saying about THE LION, THE WITCH, AND THE WARDROBE.

"Director Kerri Norris and her two young actors, Mack Gordon and Kaitlin Williams, resourcefully recreate the magic of Narnia as a theatre of the imagination." | Jerry Wasserman, The Province

"In a month where stages are awash in spectacle, there is something lovely and heartwarming about being told a fantastic tale in an intimate setting. With The Lion, the Witch, and the Wardrobe Pacific Theatre offers just this; a timeless and familiar story relayed in a fresh and meaningful way." | Brian Paterson, Laura Murray PR

"Whether you've seen this production before or not, go, find out for yourself the wonders that await you beyond the wardrobe for there is plenty of magic still to be found in Pacific Theatre’s The Lion, the Witch, and the Wardrobe." | Mark Robins, GayVancouver.Net

"It was a lot of fun! The two person interpretation works perfectly for the stage because it plays on the real magic of theatre: make believe. Watching the actors quickly shift from one character to another was funny, shocking and powerful. Very well done!" | Ryan Scramstad, audience email

"Kudos to the two actors!" | Alan Woo, Fun Fun Vancouver.

"My friend and I left inspired, and I have to say I felt years younger than when I walked in just a few hours before. So this holiday season, take a cue from your childhood and leave the real world behind – at least for a few hours. Because really, there’s a little bit of magic everywhere. All you have to do is look for it." | Melissa Cornwell, Vancouver Vantage

"I was impressed on so many levels... The storytelling blew me away. Switching characters and roles, even Santa Clause being played by your female actor... I've been telling everyone about it. Wow! Thank you." | Jonathan Derouchie, audience email


"Even if Lucy and Peter were not able to rediscover the wardrobe’s magic, Kaitlin Williams and Mack Gordon allowed the audience to create their own magic through the power of imagination." | John Jane, Review Vancouver

"A wooden floor, a cozy chair, an antique lamp, an old chest…and a wooden wardrobe. This simply lit, cozy stage is the setting for Pacific Theatre’s The Lion, The Witch, and The Wardrobe. Rather than mount a large production with all four children from the original story, plus the rest of the menagerie, the roles are taken over by two talented young actors, Mack Gordon (Peter) and Kaitlin Williams (Lucy). Each of the two transform into characters with the donning of a coat from the wardrobe, and/or contortion of their faces and bodies." | Ariane Colenbrander, Ariane C Designs

wardrobe | more photos

More photos for THE LION, THE WITCH, AND THE WARDROBE - opening tonight!

christmas presence | performers

Here's the roster of performers for this year's CHRISTMAS PRESENCE performances!

DEC 9 (NORTH SHORE)
Garth Bowen
Anna Vandas
Andy Frew
Allen DesNoyers
Spencer Capier
Kenton Wiens
Brett Ziegler
Becca Birkner
Rick Colhoun
Nelson Boschman

DEC 15 (ABBY)
Lance Odegard
Anna Vandas
Jonathan Andreson
Becca Birkner
Rick Colhoun
Nelson Boschman

DEC 19 (PT)
Garth Bowen
Laurell
Lance Odegard
Kathleen Nisbet
Becca Birkner
Rick Colhoun
Nelson Boschman

DEC 20 (PT)
Laurell
Sheree Plett
Jeremy Eisenhauer
Zoe Thiessen
Kenton Wiens
Becca Birkner
Rick Colhoun
Nelson Boschman

DEC 21 (PT)
Peter LaGrand
Carolyn Arends
Lance Odegard
Anna Vandas
Spencer Capier
Becca Birkner
Kenton Wiens
Rick Colhoun
Nelson Boschman

DEC 22 (PT matinee)
Michael Hart
Sheree Plett
Jeremy Eisenhauer
Jonathan Anderson
Spencer Capier
Kenton Wiens
Becca Birkner
Rick Colhoun
Nelson Boschman

DEC 22 (PT evening)
Michael Hart
Sheree Plett
Jeremy Eisenhauer
Jonathan Anderson
Spencer Capier
Kenton Wiens
Becca Birkner
Rick Colhoun
Nelson Boschman

wardrobe | video trailer

Check out our video trailer for THE LION, THE WITCH, AND THE WARDROBE, care of the talented Peter Carlone!

dec 6+7 | race | craig erickson

Longtime friend of PT Craig Erickson just sent this email, about the abrupt closing and brief, coming resurrection of the Mamet show he's in...

Last Saturday night, there was a fire next door to Studio 16 where we were hoping to finish our successful run of RACE by David Mamet. 100 shivering people on the sidewalk (some having travelled great distances) in hopes of seeing this explosive take on race and the justice system - Mamet style!

It seemed like we were allowed to go back in, but no - the sprinkler system meant a very wet stage. Cancellation. What a disappointment. A very incomplete feeling.

But Mitch and Murray Productions (as well as the cast and crew) have decided that that closing night can't be the end. Thanks to a lot of compromise and effort from many parties, we are offering 2 more nights -

Thursday December 6th and Friday December 7th
8pm
Discount 20$ tickets at the door with 15% of the gate going to help a family on the North Shore
Or buy tickets online

If you've got a night free (80 minutes), check out this play, and participate in some Christmas redemption!

Here's a blog post about it all from director Aaron Craven.

dec 22 | voc gospel choir

Another soul-activating concert from Operations Manager Alison Chisholm's choir the VOC Sweet Soul Gospel Choir! Below is an email from choir director Chico.

Aloha and Mele Kalikimaka Alison

Please ask your friends and family to celebrate the Joy of the Season with the VOC Sweet Soul Gospel Choir.

Our feature holiday concert will be Sweet Soul Gospel Christmas where we will celebrate by performing spiritual and inspirational songs of the season with a little Motown thrown in to mix things up!

Sweet Soul Gospel Christmas
Saturday, December 22nd, 2012 - 7:30 pm
Massey Theatre
735 Eighth Avenue,
New Westminster

Admission by minimum donation:
Adults $20
Seniors & Students $15
Youth 10-15 $10
Kids under 9 FREE
Tickets Available at the Door (tickets are not sold in advance)
Doors open at 6:45 pm

For additional information email us at info@VOCSoulGospelChoir.com or call 604.876.3363

The VOC Sweet Soul Gospel Choir was founded by music director, Checo Tohomaso, with the goal of uniting people of different cultures and beliefs to deliver a message of love, joy, peace, hope and healing through their common passion: singing.

We sing six-part harmony and our 130 members include men and women of all ages, ethnicities and religions. Delivering a high-energy, positive vibe, our dynamic choir mixes together the sounds of Soul, Gospel, R&B, Jazz, Hawaiian, Calypso, and Reggae. Our animated delivery results in an audience that can’t resist joining in by toe tapping, foot stomping, jumping, singing, dancing and hand clapping!


Thank you and God Bless from the

VOC SWEET SOUL GOSPEL CHOIR
We'll Activate Your Soul!
email: info@VOCSoulGospelChoir.com
www.VOCSoulGospelChoir.com

wardrobe | the vancouver sun

Below is an excerpt from a fantastic article in The Vancouver Sun interviewing Kaitlin Williams and Mack Gordon on THE LION, THE WITCH, AND THE WARDROBE. Get the full article in context here.

For Kaitlin Williams, performing in the Pacific Theatre Production of The Lion, The Witch and the Wardrobe practically qualifies as a Christmas miracle.

When she was 12, Williams saw Pacific Theatre produce the stage adaptation of the C.S. Lewis classic — one of her all-time favourite books — and was so dazzled by the idea of just two actors being able to create the imaginary world of Narnia that the production inspired her to become an actor.

“It was the first play that I ever saw where the actors played more than one part and I was just blown away by it,” Williams told The Sun. She can’t recall the name of the performer who played the role she’s now taken on, but she’s never forgotten the performance. “She was Lucy and then she was the White Witch and then she was a wolf and I was sitting there and I thought, ‘That looks like a lot of fun. I would like to do that.’ So it’s a pretty cool full-circle moment for me for sure. I love that it’s told with two actors. There’s nothing more powerful than the imagination when we’re trying to create these epic worlds on stage.”

Read the rest on the Vancouver Sun website!