Wednesday, September 25, 2024

heids macdonald | there's room

There’s room.

Honestly.
There’s room.
There’s room
for the uncle
that loves the gawdy decorations
and the kids running cut-out paper snowflakes along every banister, 
and the teenager who is embarrassed to admit they still want to decorate the tree.
So, the cool aunt with the buzz-cut
whose wife is just as cool 
inviting them to help out
is just the ticket.
There’s room for deep inhales and longer exhales, 
because the spicy smell of apple pie in the oven reminds you
of mom. 
And that is wonderful
and lonely
and triggering.
Because mom was complicated. And there’s room for that. Honestly. 
There’s room.
There’s room
for Hanukkah candles burning in window sills
and for the cookie platter
supplied to the shift workers for whom Christmas day
is just another shift.
There’s room
For family – all sorts.
For re-uniting family:
perhaps dysfunctional but trying.
For found family:
perhaps that crew of queers who can’t go home anymore. So, they say to each other,
“There is still pumpkin pie on the menu!”
For grieving family:
Perhaps rotating cigarette breaks on the steps to the hospital, when the walls of the palliative room are closing in.
And there’s room for the words,
“I hate Christmas,”
because why does everyone die in December?
There’s room.
Honestly.
There’s room.
There’s room
for putting up the tree
the day after Halloween and leaving it
till spring. 
There’s room
in the Christmas eve service
for everyone.
So church, remember that.
And there’s room
for the person that can’t darken a pew.
Afterall,
The Christ child grew into person
who had a thing or two to say about
the religious establishment’s treatment
of “the least of these.”
There’s room
for loneliness.
You are not alone in this.
There’s room
to forgive
and for not knowing how to yet.
There’s room
for the same stories told over and over:
of babes and misers and angels and red-nosed reindeer, and prophetic stars and lassoing the moon,
and poor, ordinary, occupied people...
waiting.
There’s room for mulled wine and chocolate and
Those caramel covered marshmallow things. 
HONESTLY! THERE’S ROOM! 
There’s room
at the table for the ones who never seem to fit. Maybe that’s you.
In which case,
there’s room for you – 
along with the shepherds and stargazers
and unwed pregnant teenagers and dreamy carpenters and livestock:
all welcome when
there was no room
at the inn.
Because gathered round love
(humble and asking for nothing)
There’s room for you.
Honestly.
There’s room. 

*

please do not publish, perform or distribute without permission from the author:
heids macdonald : heidsmacdonald@gmail.com

richard waller | an engineer's christmas

 I. No known species of reindeer can fly. However, there are some 300,000 species of living organisms yet to be classified. While most of these are insects and germs, this does not completely rule out flying reindeer (which only Santa has ever seen). 


II. There are approximately two billion children (persons under 18) in the world. However, since Santa apparently does not visit children of Muslim, Hindu, Jewish or Buddhist religions, this reduces the workload for Christmas night to 15% of the total, or 378 million (according to the Population Reference Bureau). At an average (census) rate of 3.5 children per house hold, that comes to 108 million homes, presuming that there is at least one good child in each. 

III. Santa has about 31 hours of Christmas to work with, thanks to the different time  zones and the rotation of the earth, assuming he travels east to west (which seems logical). This works out to 967.7 visits per second. This is to say that for each Christian household with a good child, Santa has around 1/1000th of a second to park the sleigh, hop out, jump down the chimney, fill the stockings, distribute the remaining presents under the tree, eat whatever snacks have been left for him, get back up the chimney, jump into the sleigh and get on to the next house.  Assuming that each of these 108 million stops is evenly distributed around the earth (which, of course, we know to be false, but will accept for the purposes of our calculations), we are now talking about 0.78 miles per  household; a total trip of 75.5 million miles, not counting bathroom stops  or breaks. This means Santa's sleigh is moving at 650 miles per second —  3,000 times the speed of sound. For purposes of comparison, the fastest man-made vehicle, the Ulysses space probe, moves at a poky 27.4 miles per second, and a conventional reindeer can run (at best) 15 miles per hour. 

IV. The payload of the sleigh adds another interesting element. Assuming that each child gets nothing more than a medium sized Lego set (two  pounds), the sleigh is carrying over 500 thousand tons, not counting Santa who is invariably described as overweight. On land, a conventional reindeer can pull no more than 300 pounds. Even granting that the "flying" reindeer could pull ten times the normal amount, the job can't be done with eight or even nine of them --- Santa would need 360,000 of them. This
increases the payload, not counting the weight of the sleigh, another 54,000 tons, or roughly seven times the weight of the Queen Elizabeth (the ship, not the monarch). 

V. 600,000 tons traveling at 650 miles per second crates enormous air resistance --- this would heat up the reindeer in the same fashion as a spacecraft re-entering the earth's atmosphere. The lead pair of reindeer would absorb 14.3 quintillion joules of energy per second each. In short, they would burst into flames almost instantaneously, exposing the reindeer behind them and creating deafening sonic booms in their wake. The entire reindeer team would be vaporized within 4.26 thousandths of a second. Santa, meanwhile, would be subjected to centrifugal forces 17,500 times greater than gravity. A 250 pound Santa (which seems ludicrously slim) would be pinned to the back of the sleigh by 4,315,000 pounds of force. 

VI. In conclusion, if Santa ever did deliver presents to all the good children on Christmas Eve, HE'S DEAD NOW. 

richard tillinghast | one night in galilee

 We were looking to bed down for the night,

get the flock together safe and the dogs
keeping watch. Rain had started to fall.

Then the sky blazed
and we heard music--
commanding and lofty
but warm-hearted and human too.
It reached out and
found us where we lay.

Fear not, a voice said.
And out of the voice merged a figure.
He looked like a man
but we knew he wasn't.

How could we welcome such a one?
Offer him goats' milk to drink?
Find place for him in our tent,
smelling as it did of tallow and long days
handling animals,
on the move for months?

Before we could make up our minds
the air came alive with angels' wings--
air that a moment before had been
heavy with mud-mist and sheep funk.
The sound of their wings
was a river at floodtide.
Their plumage dazzled our eyes,
this choir half glimpsed
singing their message
of peace on earth,
a royal family in a stable,
a baby who was a king.

And when they had gone away
into heaven,
we looked at each other dumbstruck.
It was night again,
the dogs hung close and kept quiet.
Then someone said, Let us go and see.

bill bunn | away from the manger

One Christmas, Linda bought the kids a plastic manger scene. She wanted the children to interact with the figures, play with the players, major and minor. I agreed with her. There's no better way to get into a story than being able to interact with it in some physical way. Here were all the season's big stars – the baby Christ, the angels, the shepherds, Joseph, Mary and the barnyard cast – built from durable, kid-friendly plastic.

At the beginning of December, when we decorated the house for Christmas, we set up the new manger scene. But we had forgotten about the democracy of toys. In this republic, all toys – regardless of symbolic value – are created equal. And any toy may interact with any other, depending only on the elasticity of the operator’s imagination.

Understandably, Christ and cast were popular. Everyone seemed to want him around. Christ would not stay put.

 

The baby Jesus ended up visiting with our Lego populace. He frequented the company of stuffed animals, despite the immense difference in scale. Another time, I found Jesus stuffed into the chimney of a dollhouse. He was helping his brother, Santa, the kids explained. I found him driving the Barbie Corvette with Barbie, down at the end of the hall.

 

The rest of the cast took their cue from the baby. I saw a wise man and the donkey, helping a farmer drive a tractor in a castle. I found Mary and another wise man helping a set of Lego firemen rescue animals and medieval soldiers from a train wreck. It was as if the manger was only a pose, like a picture taken at a party that the stable cast would strike for a moment, a starting point from which they would begin.

Then, Jesus lost his head. One of our children or one of his or her friends had broken the head off the plastic Jesus. He was a toy, and the heads of toys are often removable. A child had tried removing it but ended up breaking it.

 

In our hearts we were deeply disturbed. It was okay for Barbie to lose her head, or Ken to lose his, but not the Christ child. Who would do such a thing? Why not one of the shepherds? Why not Joseph? But the body was found headless, the plastic neck snapped.

 

We searched for the head in the big Lego tub. In the toy boxes in people's rooms. In drawers and under beds. No head.

 

Who had beheaded the Christ child? This was a deliberate act. So began our crusade.

 

"Who took Jesus' head?" we asked, and we heard silence. We asked the question in many different ways: calmly, urgently, sadly, happily, indifferently and with deep concern. Nothing. Or rather, everything.

 

Elise thought she saw it in various places throughout the house 

(that made us suspect her). 

May insisted she hadn’t done anything 

(which made us suspect her). 

Ezra got tired of us asking the question and confessed 

(which made us conclude it was him), 

but then his story wouldn’t hold 

(which made us suspect him). 

 

Each one carried shades of unshakable guilt. Linda and I, too, felt pangs of guilt. Maybe they hadn’t broken it. Maybe they were all telling the truth. The inquisition ended in failure.

 

We phoned the manufacturers and asked them to ship a new Jesus. They could make no guarantees, but we hoped that his arrival might happen before Christmas. 

In the meantime, the headless Jesus was too much to look at, so my wife crazy-glued the head of a Lego person on his shoulders. The sunglassed eyes of the Lego head looked far too smug to sit on Christ's shoulders, and the head would accept different hats or helmets, all of which seemed blasphemous, but it was much better than a headless baby.

 

Many years earlier, Linda and I had travelled to Rome, to the Sistine Chapel, to see Michelangelo’s frescoes. I remember staring up at the roof, considering, with the rest of the mob, the space between God’s and Adam’s hands. What could that gap mean? What was Michelangelo’s thought? I think it was a practical consideration. If the two hands had touched, things would have become weird – Michelangelo’s deity might not have stayed put.

 

The new Jesus arrived in a small box a few days before Christmas. Was this the Advent or the Second Coming? Once out of the packaging, he was more popular than ever. Despite our sternest warnings, he consorted regularly with all toys, regardless of their shape and size, regardless of where they were made. He obviously wasn’t going to stay in the manger, though the picture on the box suggested this might happen.

 

It's time to set up our nativity scene again. I arrange the figurines on the coffee table, according to the picture on the box. As I lay Christ into his moulded manger, I realize he won't be here long. Within minutes, the last place I'll find him is in the manger. For in our house, God can be touched, so there's no telling where he might end up.

 

david waltner-toews | if he were born today: christmas 1974

 winter night in palestine

clean and cold as polished steel

 

arabs rest their sheep

among rocks and thistles

like a patch of scruffy spring snow

on the hillside

 

somewhere behind them

in a desert cave

a small fire holds the vengeant night

at bay

men and women commune with clammy handshakes

and guns: the bread of death

 

below the shepherds

Israeli soldiers patrol the occupied city

stop to fidget at a small bar--

a sign at the city gate reads:

all arabs must register 

with the military authorities

in the city of their birth

 

the shepherds, remembering the sign

joke about it;

they were born in tents

they do not leave their sheep

 

suddenly a rocket

sleek as a sacrificial blade

splits the belly of silence above them

exploding, shrieking into the streets below;

the streets answer with gunfire rattle

boots running on concrete

trucks

searchlights against the hills

 

the shepherds huddle behind a rock

their sheep are bleating, bleating

 

more rattle of guns

the bleating stops

 

lights out, motors choke into silence

boots stomp back to the bar

nervous laughter curls up like smoke

incense to the unspeaking

mask of night

 

down a cobbled alley

from the bar

in a small lean-to

anxious, calloused hands

are pushing some goats away

from their manger

nearby, on a bed of dirty straw

a palestinian woman groans

pushing with all her prayerful might

against the pain in her belly 

Wednesday, December 20, 2023

dec 19 | christmas presence set list


singers | michael hart, brett ziegler, thomas colhoun. melody owen
players | rick colhoun, becca birkner, nelson boschman, zaac pick
readers | ron reed, kaitlin williams, shona struthers, chy liu

ACT ONE

ron | scrooge & nephew, by charles dickens (from a christmas carol)
melody | may you find a light  
michael hart | si nous marchons 
kaitlin williams | on buses, by lance odegard 
nelson boschman | o come emmanuel
shona | thanks everyone, by mehgyver 
ron | away from the manger, by bill bunn
becca birkner | always in the season
michael hart | i heard the bells (peace on earth) 
chy | god in the doorway, by annie dillard
zaac pick | finding christmas

ACT TWO

ron | engineer's christmas, by richard waller
zaac pick | oh what night
ron | one night in galilee, by tillinghast
melody | o gracious light  
chy | mary's song (blue homespun), by luci shaw 
ron | joseph's lullaby, by ron klug
michael hart | christ child lullaby
zaac pick | maybe this christmas
ron  | no safe place, sheila rosen
melody | sending you light  
ron | a child's christmas in wales, by dylan thomas



Tuesday, December 19, 2023

dec 17 | christmas presence set list

singers | joellel lush-tatum, leora cashe, zaac pick
players | mark bender (bass), lincoln tatum (drums), jaye krebs (piano)
readers | ron reed, heids macdonald

ACT ONE
joellel | please come home for christmas 
frederick buechner | emmanuel
zaac | maybe this christmas 
leora | sleigh ride 
joellel | i've got my love to keep me warm 
dina donohue | no room
heids macdonald | there's room
zaac | christmas song
mike mason | commotion!
leora | tidings of comfort and joy 

ACT TWO
leora | arias of peace  
zaac | light under the door  
annie dillard | god in the doorway
joellel | who would imagine 
leora | finally christmas day 
annie dillard | feast days
joellel & leora | jesus, what a wonderful child 
charles dickens | a christmas carol 
zaac | finding christmas  

Tuesday, December 12, 2023

dec 11 | Christmas presence set list

ARTISTS

jenaya barker | michael hart | stephen thakkar | taylor swindells

becca birkner, bass | rick colhoun, drums 

ron reed | maki yi | shona struthers

 

ACT ONE

charles dickens, scrooge & nephew

jenaya | the holly & the ivy

stephen | (christmas) baby please come home

dina donohue, no room

heids macdonald, there's room - shona

jenaya | evermore 

john blase | a little christmas now 

michael | winter star 

john f. deane | driving to midnight mass in dublin on christmas eve

stephen & jenaya | fairytale of new york

judy graves | god's christmas party

taylor | put the lights on the tree

john henry faulk | a child's christmas in texas

end act one  michael | light of the stable 

 

ACT TWO

jenaya | in the bleak midwinter 

richard waller | santa claus: an engineer's perspective 

stephen | blue christmas

john lekich | a keen sense of occasion

michael | three generations 

frederick buechner | don't be afraid, mary - maki

michael | christ child lullaby 

john howison | reverie

taylor | i wonder as i wander

frederick buechner | emmanuel

michael + audience | joy to the world


links to some of the pieces will be added soon

Monday, December 11, 2023

dec 10 | christmas presence set list


shaun | river
kira | go tell it on the mountain 
ron | seven principles of a successful christmas, by garrison keilor
       evening : a child's christmas in texas, by john henry faulk
jonno saunders | have yourself a merry little christmas
ron | snow angel, by tom carson
shaun | long distance love  
heids | there's room, by heids macdonald
ron | christmas drinks party, from 'shadowlands' by william nicholson
kira | wexford carol 
ron | seth, by david kossoff
katie + kira | soul cake 
 
ron | the real saint nicholas, by brainstatic etc
shaun | jingle bells
ron | waiting room, by rudi krause
katie | christmas lullaby  
ron | into the darkest hour, by madeleine l'engle
jonno + kira | o come o come emmanuel
heids | upon christ coming, by heids macdonald
jonno | o day of peace 
ron | commotion!, by mike mason
katie | beautiful star of bethlehem
ron | a new man, from 'a christmas carol' by charles dickens
kira | benedictus

the afternoon performance featured 'magi' in place of 'there's room' - both by heids macdonald - and garrison keillor's 'seven principles of a successful christmas' in place of 'a child's christmas in texas'

 

THE ARTISTS

 

becca birkner, bass

heids macdonald, reader (evening)

jonno saunders

katie green

kira fondse

rick colhoun, drums

ron reed, reader

shaun verreault

shona struthers, reader (afternoon)

Tuesday, December 13, 2022

dec 12 | christmas presence set list

Jazz Quartet | Joy To The World 

Rober Farrar Capon | Advent

Joellel | This Christmas

Ian Farthing | David Kosoff, A Donkey's Tale

Tom | Please Come Home For Christmas

Ron | Caitlin Flanagan, Charlie Brown's Inside Job

Nelson | Christmas Time Is Here

Ron | Lawrence Ferlinghetti, Christ Climbed Down  

Joellel & Tom | I've Got My Love To Keep Me Warm

Shauna Johannesen | Annie Dillard, God In The Doorway

Jazz Quartet | O Come O Come Emanuel  

Tom | Langston Hughes, Carol of the Brown King

Nelson | Finding Christmas

Ron | Tom Carson, Snow Angel

Tom | Chestnuts Roasting on an Open Fire

Ron | Garrison Keillor, The True Meaning of Christmas

Joellel | O Holy Night

 

*

 

Jazz Quartet

James Danderfer

Nelson Boschman

Mark Bender

Lincoln Tatem

 

Joelle Lush-Tatem
Tom Pickett 

Monday, December 12, 2022

dec 11 | christmas presence set list

Ron | Charles Dickens, Scrooge's Nephew
Kwerks | Soak It Up
Ron | David Sedaris, Santa's Little Helper
Allen | Bethlehem Light
Kaitlin | C-Section
Peter & Lilia | Mary's Song
Ron | Frederick Buechner, Don't Be Afraid, Mary
Garth | Hello Christmas
Rebecca | Dina Donohue, No Room
Ron | U.A. Fanthorpe, The Wicked Fairy at the Manger
Garth | God Rest Ye Merry, Gentlemen
Ron | Garrison Keillor, The True Meaning of Christmas
Allen | Bleak Midwinter
Ron | Chisholm, Good Shepherd
Peter | Angels We Have Heard On High
Ron | Annie Dillard, Feast Days
Kwerks | Carry Me

Readers:
Ron Reed
Kaitlin Williams
Rebecca deBoer

Musicians:
The Kwerks (Laura & Ryan Koch)
Allen Desnoyers
Peter La Grand
Lilia deBoer
Garth Bowen
Rick Colhoun
Becca Birkner
Chris Hawley


Sunday, December 11, 2022

dec 10 | christmas presence set list, tsawwassen

charles dickens | humbug!, from a christmas carol
joelle lush-tatum | let it snow
john dowie | three wise men, from jesus, my boy
allen desnoyers | bethlehem light
frederick buechner | don't be afraid mary, from the faces of jesus
liette desnoyers | magnificat
george connell | nan's sweater
allen desnoyers | gifts of the magi
dina donohue | no room
joelle lush-tatum | have yourself a merry little christmas
allen desnoyers | bleak midwinter
david kossoff | shem
liette desnoyers | christmas angel
david kossoff | seth
joelle lush-tatum | o holy night
robert louis stevenson | christmas prayer

Wednesday, July 14, 2021

diane tucker | nostalgia for moving parts | three poems about childhood

Three poems about childhood that made me cry. From Diane Tucker's new book, Nostalgia For Moving Parts. So particular, so much compassion. Get yourself a copy. I'm not kidding.


Love the sad men
The small, huge things that sad men do, sad
men who build with everything but words.
Build dollhouses, train sets, HO mountains
from cereal boxes and plaster of Paris,
building the mountains they can for their sons.
For daughters they build scroll-sawed
shelves to hold phalanxes of dolls, blown-glass
animals, Barbie barns above the bed’s blue lace.
Sad fathers who’ve eluded words carve magic
circles in their back lawns for swimming
pools. They sieve stones out of the soil circles
so nothing will nick the pools’ thin blue skin.
This is the testament of sad men who live
starved of words: drywall, carport, pickle jars
of nails, lawnmower, farmer’s tan, house paint,
apple tree, soldering gun, handsaw, wood plane.
Wood shavings falling from the vise,
wooden curls on the cold garage floor,
wooden curls warm on little girls’ ears.

*

Danny
Skipping ropes at school, their woven heft.
Steel poles around the roofed playground, the rain
running down them luminous, metal-melting.
I’d press my tongue against a pole and drink.
School was a world of delicious new textures:
fat crayons, creamy manila colouring paper,
notebooks, worksheets stacked fat as animal bodies.
Tables and chairs with shiny metal tubes for legs.
Even light at school felt stronger than at home.
They showed us filmstrips of marmalade leaves
against a blue blue sky, all technicolour-crisp.
How I loved those glowing celluloid leaves!
Then the cloakroom hooks’ imploring curves,
parallel silences in calm, rectangular shadows,
the pavement tap-dance beat of skipping ropes.
How I loved school, the sweet order of desks
in grids. So I wasn’t totally upset when, in grade
two, Danny with the French last name tied me to
a pole with a skipping rope so he could kiss me,
Danny with the round eyes, a cherub’s mouth,

curly hair. He was small even among the small,
as I was. No doubt I’d flirted with him, grade-two
style, cute and clueless. I thought myself a lady.
Were kisses procured? I bet there were a few.
Soon the rope loosened and I made a dash.
But Danny pushed me back. A metal pole I loved,
from which I’d drunk the rain, rushed up
and struck me in the bone below one eye.
A shiner it was called. I had a shiner. I’d seen
them on TV, cartoon-red beefsteaks on faces.
Danny got the strap then, or another time, or both.
He came back to class subdued, his crying
eyes swollen. As if a hiding could patch up his
love-starved soul. He chased girls, he lifted skirts,
he stole kisses, and the grown-ups just spanked
his ass? Poor Danny, tiny paramour, tiny batterer!
As long as I knew him, Danny chased the girls,
staring expectantly through big brown eyes.
Whatever makes boys seize girls roiled in him.
That yearning he had, no strap could smack it out.
And no black eye stopped me flirting. I was seven
and had imprinted on romance like a baby bird.
I followed its Hollywood promises everywhere,
persistent and imploring as a cloakroom hook.

*

Beautiful grade four teacher
always wore his shirt half open,
had dry-look hair and eyes bigger
than Donny Osmond’s. Sometimes
he used swear words in class.
I fell hard in grade four love.
I remember the day I had to wear
the hand-me-down dress to school.
Polka dots, pleats, Peter Pan collar.
1974 was bell-bottoms, feathered hair,
Three Dog Night and Doodle Art.
It was neither pleats nor polka dots.
It was in no way a Peter Pan collar.
But crushy teacher, lounging atop a desk,
fixed me, with round, pale eyes, in his stare.
He grafted two trees to a single rootstock,
kindness twinned forever with desire.
You look smashing, he said, in that dress.
The world lit up. I clutch that moment,
talisman still, the heat that flowered when he
noticed my smallness, my sadness, and spoke.


Nostalgia For Moving Parts is published by Turnstone Press, 2021. Copies available through their website.

Saturday, May 02, 2020

soul food: the ghost light season | podcast


Welcome to my podcast!  A way of "keeping the lights on" while Pacific Theatre's doors (and everybody else's) are closed. "Soul Food: The Ghost Light Season" is like a radio show, all about theatre and movies, music, stories, and life during this strange time we're all going through.

There was a special edition of the podcast on Easter weekend, Easter Presence. Act One went onstage (virtually) at 8:00 Good Friday, with Act Two taking the stage for a Saturday matinee at 2:00.  It's a special edition of the podcast that's just like Pacific Theatre's great tradition, "Christmas Presence" - except, of course, it's not about Christmas.  Songs and readings for this essential season.

Soul Food is also thrilled to be premiering a brand new novel-in-progress by our favourite playwright, Lucia Frangione!  Grazie is posted in serial form every Monday and Thursday, details and links below.

And Thelma Schoonmaker edited a nice little trailer for our First International Earth Day Film Festival, which happened April 22nd, coincidentally enough. Earth Day Film Festival trailer which you can find on YouTube. There's a nice little interview with Thelma early in Episode 12.

Ron Reed,
Artistic Director, Pacific Theatre

WHERE TO FIND SOUL FOOD...

as a podcast: downloadable, streamable, or subscribe-able...
soulfoodghostlight.podbean.com or pretty much anywhere you get your podcasts 

on YouTube
here's a playlist of all the episodes in order

Friday, April 24, 2020

loren wilkinson | hot cross buns 2020



A recording of Loren reading the original Hot Cross Buns poem, written in 1987 and recorded for Iwan Russell-Jones' documentary "Making Peace With Creation," can be found as part of the YouTube playlist of selected poems by Loren Wilkinson, Imago Mundi

Saturday, April 11, 2020

ghost light podcast #9 | easter presence | set list | act two



Teacup's Jazzy Blues Tune | Taj Mahal with the Pointer Sisters
from Ooh So Good 'n Blues

sometime during eternity | Lawrence Ferlinghetti | read by Ron Reed
from Coney Island of the Mind

I Am One | Miriam Jones
from Being Here

Samaritan Woman | Sheila Rosen | read by Rebecca deBoer

Strange Man | Ken Whiteley
from Up Above My Head

Kwuz | David Kossoff | read by Ron Reed
from The Book Of Witnesses

Heal Me | Cheryl Bear
from Cheryl Bear

The Christ Of Charlie Edenshaw | Loren Wilkinson
Vimeo

By The Mark | Gillian Welch
from Revival

The Sighting | Luci Shaw | read by Ron Reed
from Sea Glass

What Love Looks Like | Carolyn Arends
from Seize The Day and Other Stories

Jeremy's Easter Egg | author unknown | read by Nicola Shannon

How Can I Keep From Singing | Julee Glaub
from Fields Faraway

Open | Luci Shaw | read by Ron Reed
from one of her books

I Am The Man, Thomas | Viper Central
from Live At The Street Church (out of print)

Food For Risen Bodies | Michael Symmons Roberts
from Corpus

Where Shall I Be
from Up Above My Head


The Lego Easter garden is by Sebastian Tow

Friday, April 10, 2020

ghost light podcast #8 : easter presence | set list | act one


I Want Jesus To Walk With Me | The Nelson Boschman Trio
from Keeping Time, Volume 2

Jesus Was An Only Son | Jon Ochsendorf
recorded for this podcast

Mr Prediction | Ira Glass & David Rakoff
from This American Life #241: 20 Acts in 60 Minutes

Touch The Hem | Ken Whitely
from Up Above My Head

Jesus Christ Superstar | Lucy Grealy | read by Chantal Gallant
from "My God," found in Joyful Noise

I Don't Know How To Love Him | Laura Koch, of The Kwerks
recorded for this podcast

Judas | J.D. Salinger | read by Ron Reed
from The Catcher in the Rye

Judas | Peter La Grand
from Duende

The Cast of Christmas Assembles | Steve Turner | read by Ian Farthing
from Tonight We Will Fake Love

All My Tears | Leigh Ann & Ryan Howarth
Rick Colhoun recording

Six Feet | Kirsty Provan
recorded for this podcast

The Cost of My Cure | Allen Desnoyers
unreleased

Jesus Checks In For the Flight Home | Luci Shaw | read by Ron Reed
from Sea Glass

I'm Headed For | Michael Hart
from Desire, reissued on So Far So Good