Thursday, October 08, 2009

Oct 11-17: Homelessness Action Week, THE CATS OF MIRIKITANI & THIS DUST OF WORDS


Soul Food friend Judy Graves is the person at the City of Vancouver who is our point person for homelessness. (Some people say she's responsible for homelessness in Vancouver, but I'm not sure we can blame her exclusively). She's not just an office worker: Judy spends much of her time in the streets and alleys and parks and shelters, and knows by name pretty much everybody you've ever given a loonie to.

Anyhow, she sent this note...



Steven Ng is showing my two personal favourite homelessness movies October 16. CATS OF MIRIKITANI and THIS DUST OF WORDS. If you haven't yet watched these two documentaries - I strongly recommend that you make this your Homeless Action Week treat to yourself.

Each movie gives us a lifechanging shift in world view. Each gives more questions than answers. Both impact my day to day work profoundly.

Judy

(CATS is available at Videomatica)

There will also be a related film event on the North Shore...


Oct 19: Keith & Kristyn Getty concert, Regent College


Keith and Kristyn Getty — the song writers of In Christ Alone— are in concert Monday, October 19 at Regent College. Tickets $18, $15/student, on sale at Regent Bookstore (604) 228-1820. Whether it is hymns co-written with Stuart Townend or their own music with a distinctly Irish lilt, Keith & Kristyn are at the forefront of modern hymnody and songs for the worshiping church.

Christianity Today says of their latest CD Awaken the Dawn "The Gettys have become highly regarded for their impact in the modern worship world by writing songs in the format of historic hymns. Awaken the Dawn adds volumes to the couple's sturdy hymnal, providing an added depth to the oft-surface pop landscape of worship music." - CT

Tuesday, October 06, 2009

JUDAS Rehearsal Photos

Steven Drover (director)

Marcus Youssef (El Fayoumy, Prosecuting Attorney)

Bob Frazer (Judas), Michael Kopsa (Satan)

Katharine Venour (Cunningham, Defence Attorney)

Katharine Venour (Cunningham)

Denis Simpson (Pontius Pilate), Bob Frazer (Judas)

Anthony F. Ingram (Saint Thomas)

Denis Simpson (Pontius Pilate)

Bob Frazer (Judas)

Marcus Youssef (El Fayoumy)

Katharine Venour (Cunningham), Anthony F. Ingram (Sigmund Freud)

Sarah Afful (Saint Monica)

Marcus Youssef (El Fayoumy)

Denis Simpson (Simon the Zealot), Kevin McNulty (Judge Littlefield)

Oct 7: Thomas Merton-inspired poets: Tucker, Osler, Rosen, etc.

Poetry at The Wired Monk
Wed. Oct. 7 @ 7pm
The Wired Monk, 2610 West 4th Avenue, Vancouver, BC

Join us at The Wired Monk on the corner of 4th and Trafalgar in Kitsilano for a two-hour poetry jam-session featuring local poets--Susan McCaslin, Diane Tucker, Richard Osler, Sheila Rosen & others whose lives have been touched by Thomas Merton. Minimum donation: $5 at the door. For more information, please contact the Thomas Merton Society of Canada at 604-669-2546 or email tmsc@telus.net or see www.merton.ca.


Blessings
Diane ;)

Oct 10: Sir John Tavener & Peter Berring, Vancouver Chamber Choir

The Vancouver Chamber Choir has been a steadfast source of classical choral music in Vancouver for years. Now we're lucky enough to get a sneak preview of their production Sir John Tavener's world premiere at the Chan Centre.


PREMIERE
Sir John Tavener & Peter Berring
8pm Saturday, October 10
Chan Centre for the Performing Arts

Dear Choral Music Lovers,
Music Director Jon Washburn has asked me to send you a sneak preview of our upcoming concert, including a bit of information about the composers, works, and texts. This concert is a big one, featuring premieres of two major commissions for choir and orchestra: works “hot off the press”. It would be a tall order for me to communicate to you by email the full excitement I feel as these works take shape in rehearsal. As the composer’s vision – itself so long in the making – becomes clear to all of us, our own sense of anticipation grows. We are proud to be bringing these works to life, and to be bringing them to you, right here inVancouver.

Be sure to bring a friend when you join us on Saturday at the Chan Centre! Make an evening of it by beating the rush: free coffee will be available between 7:00 and 7:30 pm, and I will be offering a pre-concert talk at 7:15 in the adjoining Royal Bank Cinema. I look forward to sharing with you stories and background information on these remarkable composers and their music, and to hearing their works come fully alive for the first time!

Sincerely,

John William Trotter
Assistant Conductor, Vancouver Chamber Choir


SIR JOHN TAVENER
Sir John Tavener first came to public attention in 1968 with the premiere of his oratorio The Whale at the inaugural concert of the London Sinfonietta. The Beatles subsequently recorded this on their Apple label.
Although Sir John’s avant-garde style of the ‘70s contrasts with the contemplative beauty of his works for which he is best known, the seeds of the language he would later adopt were in evidence from an early stage. His conversion to the Orthodox Church in 1977 resulted from his growing conviction that Eastern traditions retained a primordial essence that the west had lost. Works such as The Lamb (1982), and the large-scale choral work Resurrection (1989) date from this period.
It was in 1989 that Sir John once again came firmly into the limelight, when the Proms premiere of The Protecting Veil introduced his music to a new audience. In 1997, the performance of Song for Athene at the close of Princess Diana’s funeral showed that the profound effect of his music reached far beyond just the concert-going public.

COMPOSER’S NOTE
In the Middle Ages, the title ‘Miroir’ designated works that reflected the traditional sciences – the science of love, the philosophical, the mystical, all indeed that is archetypal in our lives. Jean Biès is predominantly a poet, but also a perennial philosopher in the next generation on from Guènon and Schuon. I was drawn to the wonderfully rich tapestry that Biès’s poetry embraces, from the mystical to the erotic, to the child-like and the playful, and to the immense profundity of his thinking. I have set 22 of his poems for double choir, two string quartets and double bass.
Sir John Tavener, 2009

Tickets to PREMIERE are $18.50 - $39.50 and available at the Chan Centre box office and Ticketmaster. Rush tickets are available for $10 at the door one hour before the concert for youth under 26 and students (valid ID required for both). Visit ticketmaster.ca to purchase online or phone 604-280-3311.
For more information please contact:
Karen Seaboyer Manager, Communications & Production
kseaboyer@vancouverchamberchoir.com 604-738-6822, ext 24
1254 West 7th Avenue, Vancouver, BC, Canada V6H 1B6
www.vancouverchamberchoir.com

Thursday, October 01, 2009

Reason To Subscribe #7: I WAS MEANT FOR THE STAGE



From Shakespeare to Show Biz - the life of the theatre , first audition to final bow. David Mamet , Cole Porter , Mark Twain, David Sedaris and more!

Your best chance to see the folks you talk to every time you book a ticket - on stage! Our apprentices. They run the box office and front of house, they assist with day-to-day admin duties, they create their own work, and from time-to-time they star on the PT stage.

Didn't know we had apprentices? Every year Pacific Theatre brings on board 3 or 4 up-and-coming theatre artists to spend a year steeped in the world of theatre. Former apprentices include the likes of Lucia Frangione, Tina Teeninga, Kirsty Provan, Linsy Rotar, Alison Chisholm, Lori Kokotailo, Adam Bergquist and Dan Amos, all of whom are busy booking work as actors, writers, and technicians all over town (and the continent)!

And this is quite the season for our apprenti. Ben Miller will be seen in THE LAST DAYS OF JUDAS ISCARIOT - can you imagine, to be an emerging artist in the midst of that cast?! Then Kaitlin Williams and Joel Stephanson will understudy THE LION, THE WITCH & THE WARDROBE - and comprise the matinee cast for school shows, booking now! (Know somebody in a school who might want to take their students to see the C.S. Lewis classic? Last time we staged WARDROBE at the Norman Rothstein, 11,000 school children saw our daytime matinees! Call 733-3880 for more info). Our apprents will form the core of the cast for I WAS MEANT FOR THE STAGE and GODSPELL, then Shalyn McFaul will star in THE LAST 5 YEARS next summer! What a year. What an experience.

Wednesday, September 30, 2009

Erla Faye Forsyth Joins JUDAS Cast!!!

Wonderful late-breaking news! Long-time Pacific Theatre company member Erla Faye Forsyth has agreed to play Henrietta Iscariot (Judas' mom) in THE LAST DAYS OF JUDAS ISCARIOT, which opens a week from tonight! Great rejoicing around PT - that girl is much loved.

Quick rundown of some of Erla's roles at Pacific Theatre...

Pacific Salt Company
Voice Of The Prairie
Traveler In The Dark
The Foreigner
Macbeth
Howard Buys A Motorhome
Holy Mo!
Remnant
Lettice & Lovage
The Farndale Christmas Carol
Driving Miss Daisy

How great to have her back! First show we'll have done together since 1996. Butch and Henrietta, together again at last.

Reason To Subscribe #6: PASSION is Critic's Pick!

THE PASSION PROJECT
Jan 27 - Feb 6

"Theatre Critics' Picks: Curtains Rise on Strong New Works"
Colin Thomas, The Georgia Straight

In this spectacle from New York — presented in Vancouver by Pacific Theatre and the PuSh Festival of the Performing Arts — director Reid Farrington deconstructs Carl Theodor Dreyer’s classic film THE PASSION OF JOAN OF ARC. Solo actor Shelley Kay interacts with images of film performer Maria Falconetti, which are projected onto parchment screens that hang from ropes and hooks, making moving sculpture. The Draw: The staging. The audience stands for this show, jostling in a small area surrounding the performer like witnesses at the saint’s burning. Target Audience: People who want to experience the best of New York—without paying the airfare.


AND..... Let me encourage you to buy an Everything Pass this season, if only because it entitles you to see any PT show as many times as you want! For PASSION, that means you could book your tickets for a 7:00 performance, experience the astonishing intensity of this 35-minute compression of Dreyer's masterwork, then immediately book your FREE tickets for the 9:00 showing, grab a coffee on Granville with friends to debrief what you've seen, then head back to the theatre for another encounter with Joan of Arc - and stick around after the show to talk with creator Reid Farrington! Now THAT'S an evening of theatre!


One more thing. The 2010 PuSh Festival will also feature a screening of the complete film THE PASSION OF JOAN OF ARC, featuring the premiere performance of a live score created for the work by Vancouver composer Stefan Smulovitz. The concert/screening will be held at Christ Church Cathedral Thursday, January 28 at 8pm - the night after we open THE PASSION PROJECT on the Pacific Theatre stage. This is an extraordinary opportunity to view this seminal work - often considered the great masterpiece of silent film - through two distinctly modern (post-modern?) lenses.

Man, we live in a great city!

Tuesday, September 29, 2009

Soul Food: Judas, Antichrist, Lot's Wife - do we see a theme?


With PRESENCE behind us and JUDAS opening at Pacific Theatre next week, life at PT is exhilarating and rewarding. And it's not just our stuff that swells the Soul Food buffet! Anthony F. Ingram is in FROZEN (closing Saturday), Kirsty Provan is in LOT'S WIFE, Craig Erickson is about to launch a Shakespeare class, and there are Abendmusik Vespers this weekend.

On the movie front, the Vancouver International Film Festival launches this Thursday with Lars von Trier's latest kick in the head, ANTICHRIST. If time allows, I'll be posting more about VIFF at soulfoodmovies. (And with THE LAST DAYS OF DISCO new on Criterion, I should mention a series on director Whit Stillman I've posted at Filmwell - recently named among the Top 100 Film Studies Blogs!)

That's not all, there's more Soul Food comin' right up! Mike Mason's astonishing new novel for young adults, THE BLUE UMBRELLA, hits stores in October - I held a copy in my hands just yesterday, and the publishers have done a glorious job! Not to be outdone, Bob Dylan is releasing a Christmas album (!) Oct 13, and Rickie Lee Jones' Balm In Gilead has an Oct 10 release date. And - very excited about this! - Michael Hart has a retrospective CD on the way entitled So Far So Good, with a release concert Oct 17 - just check out the 100% cool cover art! (Word about that concert: on bass will be Miles Hill, who played on many of Michael's recordings over the years: he'll be flying back to Vancouver for the concert, on a break from touring with... Van Morrison! Sheesh.)

*

But let's get back to Pacific Theatre.

I'm going to make a very serious request of you. Would you please subscribe to Pacific Theatre this season? Of course I'd always love you to buy season tickets, but let me tell you why this is an urgent need right now.

This summer, $72,500 of anticipated income was cancelled or deferred, leaving us in a very tight spot this fall. Pacific Theatre will survive - we always have, this is a calling not a hobby - but we haven't ever before faced this sort of shortfall. We'll survive, but it's very much up to our community - our audience, the people who love the work we do, the people who believe Vancouver needs a theatre like ours - to determine in what form we move forward. Without you doing what you can right now, Pacific Theatre will look very different in six months or a year's time.

We have the most loyal and generous donors of any theatre I know: truly, other companies and funding agencies marvel at the unheard-of degree to which our audience supports us financially. But we're not intending to find our way out of this current situation by asking everyone to donate more money: we know, a lot of charities are in this bind, and your giving resources are being stretched to the max. Instead, we want to earn our way out of this predicament: we want to do what we do best, which is put on shows that change people's worlds.

I'm personally asking you to subscribe to our 2009-2010 season - which I consider to be the finest line-up of theatre we have ever offered. Right on the heart of our mandate, our 26th season offers the most extraordinary range of material imaginable. From the 20th century's most widely-read children's classic (with adult-scaled theology) to musical theatre to performance art out of New York City to my own Vancouver-based play that ran Off-Broadway last year, this is the quintessential Pacific Theatre season.

How can you help? Come and see shows. That's all we ask. But don't leave it until halfway through the run of something that may or may not be written up in the newspaper to make your decision: if you subscribe now, our shows will be in your calendar NOW. And... Pacific Theatre will know in advance that we have the funds we'll need to make it all possible.

I'm not kidding. If we can double the number of subscriptions we had last year, we'll make it intact. It's up to you.

The mainstage season starts next Wednesday.

Ron Reed,
Artistic & Executive Director, Pacific Theatre
Head Chef, Soul Food Vancouver

Reason To Subscribe #5: CHRISTMAS PRESENCE


CHRISTMAS PRESENCE
Almost always sells out (indeed, the three performances on the Pacific Theatre stage are almost sold out already), and it's subscribers who snap up all the tickets! Everyone's favorite, the "un-slickest" Christmas Show in town... subscribers get the first crack at tickets and the best deal! Specific performers are yet to be announced, but you know what you'll be getting: a night of beautiful music, readings, poetry, and stories filled with what is commonly referred to as the "true" spirit of Christmas. If this isn't already one of your holiday traditions, then you'll want to make it one.

For a bit of an idea of what's in store, here are set lists from CHRISTMAS PRESENCE past...

In The Valley | 2007 2006
On The North Shore | 2007
In The City | 2007 2006

Oct 1-18: Kirsty Provan in LOT'S WIFE

A couple seasons back, Kirsty Provan was a Pacific Theatre apprentice - you saw her in Stones Throw productions of Tina Teeninga's original scripts, and she played Joseph in REMNANTS: A FABLE. As soon as she left us, Kirsty started her training at Vancouver's first-rate professional actor training program, Studio 58. (Alums include Erla Faye Forsyth, Anthony F. Ingram, Kyle Rideout, Evangela Dueck, Kyle Jesperson and many more familiar PT faces.) Well, she's in the performance years of the program now, and you can see her in this one - which is of Soul Food interest for more reasons than just the PT tie-in...

LOT'S WIFE
October 1 - 18, 2009

An epic journey
Written and Directed by James Fagan Tait with Itai Erdal

Set Design by Naomi Sider
Costume Design by Nancy Tait
Lighting Design by Itai Erdal

Photo Credit: Lindsey Angell as ‘Ashgirl’ and Luc Roderique as ‘Prince Amir’ in The Ash Girl.

What really happened in Sodom and Gomorrah? Long time collaborators, Itai Erdal and James Fagan Tait explore this question and the fascinating story of Abraham in their new play Lot’s Wife. Set at a time when the major religions of the world were not yet formed, Lot’s Wife is an opportunity to renew a connection to these biblical stories that are the backbone of modern civilization. Erdal and Tait bring an infectious enthusiasm and unique cultural mix to this work. Lot’s Wife is sure to be a fantastic journey that will throw a fresh light on history and contemporary society.

Wim Wenders' Wings of Desire, Peter Brooks' Mahabarata and the ritualized theatre of Ariane Mnouchkine are all inspirations for the staging of Lot's Wife. This compelling story unfolds in a world of great beauty and simplicity created by the accomplished design team of Naomi Sider, Nancy Tait and Itai Erdal.

Tickets

PACT writes BC


The Professional Association of Canadian Theatres, a national organization, has become alarmed at the British Columbia government's gutting of cultural funding in our province - measures which are not being undertaken by any other government in Canada, however hard hit by the current economy. Here's a look at their letter to our Premier.

Oct 3/4: Abendmusik Vespers

I had the opportunity to trot out my dog and pony show about "Oblation" at Rosie Perera's church a week ago, and while we were chatting she mentioned Abendmusik Vespers, contemplative services featuring a sixteen voice choir under the direction of Andrea Siemens. The description of the services sounds fantastic, and dang, you know those Mennonites can sing! Here's the rundown.
The Abendmusik Vesper Choir is an ensemble of 16 singers from the Lower Mainland and Fraser Valley. The choir gives evening services at Thanksgiving, Advent and Lent where we provide an opportunity to worship and meditate with music, spoken word and silence. Please feel free to bring friends who might appreciate this type of music and this opportunity for reflection -- no applause, no sermon, no announcements.

Thanksgiving Vespers
Abbotsford: October 3, 2009
Vancouver: October 4, 2009

Advent Vespers
Abbotsford: December 5, 2009
Vancouver: December 6, 2009

Lenten Vespers
Abbotsford: March 27, 2010
Vancouver: March 28, 2010

All services are at 8:00pm

Venues

Abbotsford
Emmanuel Free Reformed Church
3386 Mt. Lehman Road

Vancouver
Knox United Church
5600 Balaclava Street

More information about the Abendmusik Vesper Choir can be found here, though the schedule on the website hasn’t been updated yet for the 2009-2010 season.

Sunday, September 27, 2009

Arts Summer School 2010, Regent College

A sneak peek at Regent's tentative Summer School offerings in the arts. As always, a rich banquet!



Jeanne Murray Walker is a widely produced playwright as well as a celebrated poet, and Pacific Theatre has been involved with development workshops on a number of her plays. Bruce Marchfelder, a very fine film-maker (whose work has been singled out at the Cannes Festival!), is a brilliant and inspiring teacher, looking in detail at films in a way that opens the eyes and brings deep theological insight: I've wanted desperately to take one of his classes for years, and - so long as they're not on a night when I'm onstage in GODSPELL - I'm going to do everything I can to be in on this one. Begbie's theology of the arts - actually, theology through the arts - is absolutely inspiring, a thorough-going amalgam of sacramental and Reformed positions that is deeply satisfying. And Bruce Kuhn? A superb actor, who's worked at the renowned Actors Theatre of Louisville, and even on Broadway - Regent is blessed to have him!

I should also mention Loren and Mary-Ruth Wilkinson's "food course," which they host at their home on Galiano Island. I have friends who've taken the course in the past, and it is wonderful, even life changing. That course and the rest of Regent's summer school offerings are tentatively listed here.

Sep 24-26: Set List for PRESENCE

The readings on Thursday and Friday were much the same those for the Saturday night show on the North Shore, as listed here, with a few variations which you'll find at the bottom of this post. What I can't remember for sure are the songs that were featured those two nights, but you'll find the performers listed here, with links to their music.

A LITTLE HELP FROM MY FRIENDS | nelson boschman

Hugo | from God's Man In Texas by David Rambo

MERCY OF GOD | russ rosen

Listening | by David Rambo

MYSTERY | kevin gau

Prayer | from The Year of Living Biblically by A. J. Jacobs

SIT DOWN | russ rosen

The most beautiful thing I've ever filmed | from American Beauty by Alan Ball

NEAR SLEEP | anna vandas

Church | from Teaching A Stone To Talk by Annie Dillard

FIVE MORE HOURS | nelson boschman

* intermission *

LOVELY | russ rosen

It's my corner, after all | from Smoke by Paul Auster

CRACKS | kevin gau

Dead In Six Months | by Kevin Kelly, from This American Life #50: Shoulda Been Dead

MY NAME | anna vandas

THROUGH THE CURTAIN | russ rosen

SOMETHING NEW | anna vandas

The Afterlife | by Billy Collins

ALL THE GOOD | kevin gau

*

plus

rick colhoun | drums
kenton wiens | drums
becca robertson | bass

*

On Thursday and Friday night we also had...

A Summer in the South & The Journey Home | by Carolyn Arends, from Dancing With Angels

Mom and Dad | by Mike Mason, from Practising The Presence Of People

On Retreat | by Luci Shaw

Saturday, September 26, 2009

Oct 17: "So Far So Good" Michael Hart CD release concert

Michael Hart brought out a fantastic new tune last night at PRESENCE, and closed the night with a swampy treatment of his marvelous "Let Not This World" - with the Neil Young-inflected "Desire" in between, and a Beatles cover slipped in behind the Kevin Kelly reading: "Once there was a way to get back home..."


Michael Hart is celebrating 25 years in music with a special CD release concert...
SO FAR SO GOOD
Sat Oct 17, 8pm
St. James Hall | 3214 West10th Ave

Stellar band includes
Graham Boyle - drums
Miles Hill - bass
Spencer Capier-strings
Ken Cormier- piano

Tickets $15 | 2 tickets for $25 if you invite a non-church friend
To order: 604 767-5127 | sofarsogood@infoserve.net

"It’s going to be a hoot!"

Sep 26: java, jazz & blues at HT

Last minute note about shenanigans - tonight - at Holy Trinity...


Stephanie Oakes September 26 at 9:39am...

hope that you are enjoying the amazing weather!

java, jazz and blues has finally arrived.
reminder that doors open at 8pm and cover is only $5!

if you are still debating whether or not to come... the answer is obvious... gather up your favorite friends and head over to 12th and Hemlock for a night of fun. your ears and tummy will thank you.

already have other plans tonight... stop by for a little while to chow down on amazing $1 refreshments ranging from mouthwatering brownies to gooey cinnamon buns while listening to some local, super talented, jazz and blues musicians.

SEE YOU ALL THERE!!!

*snap snap..*

*

Java, Jazz and Blues
snap your fingers and sip some joe
Host: Stephanie Oakes
Saturday, September 26, 2009
8:00pm - 11:00pm
Holy Trinity
12th Ave and Hemlock
Vancouver, BC

Wednesday, September 23, 2009

Sep 26: Voices for Bulembu Benefit Concert, The Canadian Tenors

Oh my! Scott Campbell sent me this note back early in the month, and I wanted to post it here, but things got away on me. Now the concert's almost upon us, and it comes to me that this never got Soul Fooded! A pity. Hopefully it's not too late for some of you to rearrange your schedules and take this in: some art for you, and some money for a fantastic undertaking in Africa. Here's Scott...


Happy September.

As the transition from summer to fall begins and we all look ahead to the coming weeks, I invite you to make plans to join me Saturday, September 26th at the Chan Centre in Vancouver for the Voices for Bulembu Benefit Concert featuring The Canadian Tenors and special guests. The concert is the public event in a weekend dedicated to raising funds and awareness for Bulembu and the result of months of planning by the Bulembu team. I know that tickets are selling well and so I wanted to be sure you had a chance to purchase seats before they sell out. Tickets are $46-$52 and are available through Ticketmaster. More information on the concert is available at www.voicesforbulembu.com. For information on the transformational work taking place in Bulembu visit www.bulembu.org.

I hope to see you on the 26th.

Until then, all the best,

Scott D. Campbell
Director of Fundraising and Communications

Bulembu Foundation
c +778.846.9458
www.bulembu.org

Tuesday, September 22, 2009

Reason To Subscribe #4: Full WARDROBE!

Six years ago, our production of THE LION, THE WITCH & THE WARDROBE played for 22,000 people at the Norman Rothstein Theatre. Now we're bringing it home to the Pacific Theatre stage, and in our intimate setting this year we can make room for only 5,000. As a subscriber, you'll be guaranteed your favourite seats.


Pacific Theatre's remarkable two-actor adaptation retains all the magic of the enchanting C.S. Lewis novel, which has been rated the best-loved and most widely-read children's novel of the twentieth century. For good reason - a profoundly insightful story of sacrifice and redemption, and the finest expression of the "baptized imagination" of its author, the book holds as broad an appeal for adults as it does for children.

A massive large-cast version of this story with all the theatrical tricks we could muster wouldn't engage the imaginations and hearts of an audience in the powerful way of the original story. This adaptation, utterly faithful to the novel, places its story firmly in the imagination of the audience, wrapping them in the wonders of the tale as they work together with the actors to create the world of Narnia.

Don't worry: nothing gimmicky. You stay in your seats, and nobody waves a magic wand and asks you to imagine that you're a tree. But as Lucy and Peter, reunited in Uncle Digory's house several years after their Narnia adventures, remember together the story of their time in the land where "it's always winter but never Christmas," the viewer is drawn into the world of their story as powerfully and irresistably as the two Pevensie children.

What a joy is was In 1998 to see four- and five-year-old children leaning forward in their seats, utterly enraptured from start to finish. To talk to their big brothers and sisters at intermission, as engrossed in the sheer adventure of the tale as thoroughly as the little ones. To read letters and emails from their parents (and other grown-up children!) who had been moved to tears by the power of this deeply True tale. Our Vancouver premiere featured Anthony F. Ingram and Miriam Brown (now Miriam Gutierrez), a production so popular that we chose to remount it in 2003, this time at the Norman Rothstein Theatre. Morris Ertman directed Anthony F. Ingram and Tiffany Lyndall Knight in the production that was seen by 11,000 patrons at our weekend and evening performances, and I helmed the daytime cast featuring Julia Mackey and Paul Moniz da Sa (who won a Jessie award for his performance) - they played for an additional 11,000 school children from all over the Lower Mainland and even Washington State.

Anthony F. Ingram, Tiffany Lyndall Knight

This year Kerry Vander Griend is in the director's chair, chosen for the wonderfully theatrical and entertaining vision he brought to such PT shows as CHICKENS and THE FARNDALE CHRISTMAS CAROL - also, he's got two kids of his own! And you'll be wowed by the chemistry between cast members Donna Lea Ford (you've seen her in CARIBOO MAGI and THE NERD) and Kyle Rideout (HALO, BEGGARS, FARNDALE, and a long list of Bard and Playhouse productions) - just watching them in auditions was a thrill.

We really do encourage you to take out a season subscription this year, so you don't miss even the shows with hard-to-get tickets. Subscribe now, the shows are already marked on your calendar, and other things just fit around those amazing evenings of theatre. Wait to pick up tickets one show at a time, they'll pass by - or be sold out - more times than not.

Book yourself a trip to Narnia - a return to your own childhood, a journey of the imagination, an encounter with "a deeper magic."

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To subscribe...
call our box office: 604.731.5518
download a subscription form to mail or fax
email us for help: tickets@pacifictheatre.org

Dec 6: Christmas at the Chan Centre, TWU Choirs

Hands down, the most glorious Christmas event in the city. (Now, the coolest Christmas event in the city is CHRISTMAS PRESENCE, but this is undoubtedly the most glorious. And anyhow, CHRISTMAS PRESENCE doesn't open til a week later...) Tickets go very fast.


Tickets are on sale now.

Christmas at the Chan Centre
Sunday, December 6 at 2:30 pm
Chan Shun Concert Hall
Presented by Trinity Western University Choirs

Wes Janzen, conductor and Artistic Director

With full orchestra plus
Langley Fine Arts School Senior Choir, Jim Sparks director
Pacific Mennonite Children’s Choir, Kim Janzen and Sonja Fast directors

Glorious singing, symphonic carol arrangements, Christmas carol sing-alongs, Bach Christmas highlights and more.

Ticketmaster

Monday, September 21, 2009

Reason To Subscribe #3: Your theatre needs you!


Okay, we'll admit: we're facing some pretty severe financial challenges at Pacific Theatre. We're not exactly fighting for our life - rest assured, we'll keep the doors open - but maybe it's about right to say it's the fight of our life. But we've decided, rather than ask everybody for donations - the same "everybody" who's being asked for more donations by all the other arts groups and charities and schools and other panhandlers who are also in tough times - we've decided to focus on getting our friends to come visit us. Do yourself a favour - subscribe to our best, most soul-sustaining season ever! Do us a favour - fill our seats, and help us keep the lights on!

If we can double our number of subscribers this season, we'll be fine. If the people who've seen our shows and loved them and told themselves "I need to come to the theatre more often!" would take the step of subscribing this season... If folks who've subscribed in the past and taken a break from season tickets in the past couple seasons would renew... We would earn our way through these challenging times, and instead of wearying our loyal friends with a "Brother can you spare a dime" litany, we'd be enriching their lives and building for the future. Like we've done for 25 years.

Skip this next paragraph if you've had enough belly-aching about financial hard times. But I know some of you want to know exactly how Pacific Theatre is faring in this present economy, so... Tough summer. A long-time corporate supporter had to cut our summer funding in half, from $15,000 to $7500. A wonderful local foundation which has provided corporate sponsorship for two of our mainstage productions and intended to do so annually could not send us their usual $10,000 summer grant because their investment revenue had flattened due to the worldwide economy. A local company that's very close to us raised their funding from $15,000 to $20,000, which is wonderful: unfortunately, that money will arrive in $5,000 instalments through April. Similarly, Canada Council increased our annual support by $5000, but instead of $25,000 in July we received $15,000, with the balance not coming until November. The individual donor who pledged to match all our donor revenue through to the end of August pulled his support: a shock, because we did have a written commitment for that money, but clearly he had pressing reasons: another $25,000 lost. We were also optimistic, after receiving a detailed letter of suggestions from B.C. Access following our unsuccessful first application in 2008, that this year's request would be granted: we asked $70,000, tentatively budgeted for $25,000. All new and one-year gaming applications have been refused. We also applied to Gaming (the only provincial source for capital funding) for $20,000 for desperately needed theatre renovations: same answer. And our request for summer funding to Cultural Spaces Canada to replace a lighting board on its last legs and renovate our sagging seating has been deferred to November. Looking to the future, North America's largest municipal foundation, The Vancouver Foundation, who faithfully fund us every second year, had to decline our request for $15,000 toward REFUGE OF LIES: their grant revenue is derived from interest on investments, and the cupboard is bare. The budget of the BC Arts Council is being slashed to about 10% of current levels over the next two years: presumably, the $25,000 we receive annually will shrink to less than three grand. Bottom line: this summer alone, $72,500 of customary revenue lost or deferred, plus $95,000 of hoped-for funding no longer available or deferred. An astonishing set-back for a theatre of our size: rather suddenly, our September cupboards are pretty darn bare.

No despair. For 25 years, Pacific Theatre has weathered many such storms, and kept on producing plays to feed the souls of our audience. We've got theatre artists who are determined to create theatre, and - thanks to Holy Trinity Anglican Church - we've got a theatre to do it in. Our core staff - Alison, Frank, me - were galvanized through the challenges this spring brought us, and with the addition of Andrea Loewen as our idea-brimming, new-media-savvy publicist and Cindy McPherson as our crackerjack new "Business Nerd" (her preferred title), as well as four energized new apprentices, it's full speed ahead.

Now all we've got to do is sell those tickets.

If you're as old as me, you maybe took typing class in high school. (If you're as old as my daughters, you were probably born typing - if "LOL" and "ROTFL" count...) I remember one excercise Mr Desaulniers drummed into us, clattering away on our Selectric keyboards: "Now is the time for all good men to come to the aid of the party." (Heck, my fingers remember it even now, as I type on this little silver slab of computer). To update that 35 years, let me rephrase: "Now is the time for all good fans to come to the party!"

Please subscribe. If your schedule changes and you can't make your night, subscribers get to change nights for free as often as they want. If there's a show that's not your style, give the tickets to somebody: you'll make your friends very happy, and win more fans for our theatre! Get the Everything Pass, and see any show as many times as you like! (See PASSION PROJECT at 7:00, immerse yourself in 35 minutes of NYC performance intensity, then immediately book your tickets for the 9:00 show, hit a Granville Street cafe for coffee and art talk, then see the show again at 9:00 and glory in its richness and spiritual impact. Share in the excitement of an Opening Night subscription - stay for the reception, eat goodies, meet the actors, schmooze with the creative team. See ten different shows of every kind - comedy, musical theatre, drama, edgy new stuff and beloved favourites, family fare and blow-the-walls-out innovation, readings and music and premieres and Christmas and....

PRESENCE (this week! Musicians! Plays, novels, poems, stories - Nick Hornby, Douglas Coupland, Mike Mason, Annie Dillard, A.J. Jacobs, Brother Lawrence, more!). THE LAST DAYS OF JUDAS ISCARIOT (if live theatre was baseball, this would be the All-Star Game!). THE LION, THE WITCH & THE WARDROBE (our most popular show ever - back in the intimacy of Pacific Theatre). CHRISTMAS PRESENCE (always sold out in advance - to subscribers!). THE PASSION PROJECT (only 40 tickets per performance, part of the Cultural Olympiad! and PuSH Festival!). I WAS MEANT FOR THE STAGE (a celebration of the theatrical life). REFUGE OF LIES (the Vancouver premiere of my best play, fresh from its Off-Broadway run!). SIDESHOW (gut-busting comedy improv for the whole family). GODSPELL (Singing! Dancing! Sheep! Goats! "Prepare Ye!")

If there was a Canada Soul Food Guide, regular visits to Pacific Theatre would ensure a hearty and well-balanced diet, exceeding Recommended Daily Allowances in all categories.

Subscribe.

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To subscribe...
call our box office: 604.731.5518
download a subscription form to mail or fax
email us for help: tickets@pacifictheatre.org

Starts Oct 15: Study Shakespeare with Craig Erickson!

A core member of Pacific Theatre's loosely defined acting company, you've seen Craig in GOD'S MAN IN TEXAS, GRACE, and in numerous leading roles at Bard On The Beach and indie productions like Jack Paterson's Shakespeare shows at Jericho. He also teaches acting at TWU, and is an inspiring, inspired teacher. I strongly suggest you give these classes a shot!

Sunday, September 20, 2009

Sep 22 - Oct 3: Anthony F. Ingram in FROZEN


shameless hussy productions presents
FROZEN
By Bryony Lavery, Directed by Renée Iaci
September 22 - October 3, 2009 VANCOUVER PREMIERE

"A big, brave, compassionate play about grief, revenge, forgiveness and bearing the unbearable." - New York Times

One evening ten-year-old Rhona goes missing. Her mother, Nancy, retreats into a state of frozen hope. Agnetha, an American academic, comes to England to research a thesis: "Serial Killing—A Forgivable Act?" Then there's Ralph, a loner who's looking for some distraction. Drawn together by horrific circumstances, these three embark on a harrowing, strangely beautiful and cathartic journey. Angry, humane and compassionate, Frozen is an extraordinary play that entwines the lives of a murderer, the mother of one of his victims and his psychologist, to explore our capacity for forgiveness, remorse and change after an act that would seem to rule them out entirely.

(Stage Management by Lois Dawson!)

2 for 1 & $5 Students: Sept. 22, 23 & 29,
Opening Night: Thurs. Sept. 24,
Matinee: Oct. 3 @ 2pm,
Curtain: Mon. - Sat. @ 7:30 pm nightly, Tickets:
Box Office: 604.822.2678 | More: www.shamelesshussy.com

Reason To Subscribe #2: JUDAS = Butt-Kickin' Theology!


Halfway between Heaven and Hell, in a place called Hope, history’s most infamous sinner stands trial. In a court room that’s as much ghetto as gospel, the witnesses are called – Mother Teresa, Pontius Pilate, Sigmund Freud, a foul-mouthed Saint Monica, a high school football coach, a handful of Jesus’ disciples – to decide eternal questions of forgiveness, mercy, and eternal damnation. Wildly funny, scathingly provocative.
October 7-17

To subscribe...
call our box office: 604.731.5518
download a subscription form to mail or fax
email us for help: tickets@pacifictheatre.org


If you've read the cast list, you already have thirteen compelling reasons to subscribe: the most amazing roster of Vancouver's A-list actors you're likely to see on one stage. (At least, on one stage that's 20 feet square!). Katharine Venour and Sarah Afful (NEWLY ADDED TO THE CAST!), Michael Kopsa, Bob Frazer, Alexa Devine, Anthony F. Ingram, Denis Simpson, Dawn Petten, Camyar Chai, Susan Hogan, Marcus Youssef, Kevin McNulty... (And I'm in it too.) And now I can also add our new apprentice Benjamin Miller to the list. We'll have ourselves a time! (Did you see 12 ANGRY MEN? Then you'll remember the extraordinary experience of witnessing a staged reading such as this one: a stage jam-packed with professional performers working in the moment, scripts in hand - the marvel of seeing those scripts all but disappear as theatrical discoveries are made moment-to-moment in front of your eyes.)

Another reason I could have mentioned (but won't) is that this play is funny. Funny, funny, funny. F U N N Y. I saw a production in Orlando in June, and I howled. Embarrassingly. Barked, snorted, guffawed, eeked. It's brash, in your face, smart as hell ("smart as purgatory?"), I-can't-believe-I'm-laughing hilarious. Until it breaks your heart.

But those AREN'T the reasons I'm going to trot out today. Because you've already heard those ones. What I'm going to dangle in front of you today is... Theology.

Oh my gosh. Your head will spin. All your qualms, questions, ponderings, doubts and frustrations about heaven and hell, damnation and salvation, the Synoptic Problem and the eternal communion of the saints and sinners... It's all here.


Director Stephen Drover and I are each devouring copies of "A Jesuit Off-Broadway: Center Stage with Jesus, Judas, and Life's Big Questions" by James Martin, SJ. Father Martin is a priest in a New York parish who one day found himself on the other end of the phone line with Sam Rockwell, whom he'd never met. (You know, Sam Rockwell. Matchstick Men, Heist, Galaxy Quest, The Assassination of Jesse James by the Coward Robert Ford, Frost/Nixon, Moon, Lawn Dogs, Box Of Moonlight, Basquiat, Hitchhiker's Guide To The Galaxy - he played Zaphod Beeblebrox). "I'm playing Judas in this play. Can you answer a few questions?"

Then it was Stephen Adley Guirgis ("the best playwright in America under forty" - New York Times). Then Philip Seymour Hoffman (I won't bother listing his credits, except to say he was working on CAPOTE at the time). Then Eric Bogosian. Then the rest of the members of LAByrinth, New York's most exciting theatre company.

So Martin was invited to become the "theological consultant" for THE LAST DAYS OF JUDAS ISCARIOT in the six months of its development that led up to its New York premiere. In fact, he was eventually invited to join the company: not as an actor, but as something of a priest-in-residence!

His book, a memoir of sorts, is jam-packed with personal anecdotes, New Testament history, lively theology, and the awestruck musings of a backstage priest who's new to the world of live theatre. A wonderful read! I've ordered five copies to share around, and CAN'T STAND THE THOUGHT THAT ANYBODY WILL MISS A PLAY SO RICHLY THEOLOGICAL, SO WILDLY ENTERTAINING, SO PERSONALLY CHALLENGING AND SO SPIRITUALLY MOVING.

It runs only two weeks. Ten performances. By the time reviews run in the papers, it may be too late to get a ticket. PLEASE don't miss it!

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And here are a few pages from "A Jesuit Off-Broadway" - not the theological part, but a beguiling introduction.

Click on pages below for larger image...

For further reading, a significant portion of the book is posted at Google Books.

Saturday, September 19, 2009

Reason To Subscribe #1: PRESENCE Next Weekend!

On the eve of the launch of the season that I personally consider our most exciting season ever - I know that sounds like hype, but look at the line-up and decide for yourself - we're working hard to make sure people don't miss a minute. So over the next ten days we'll be giving you... Ten Reasons To Subscribe To Pacific Theatre's 26th Season.

To subscribe...
call our box office: 604.731.5518
download a subscription form to mail or fax
email us for help: tickets@pacifictheatre.org


Reason number one to subscribe - and to subscribe NOW! - is to experience our first "non-Christmas CHRISTMAS PRESENCE" in years.

No time to waste: three nights only, Thursday and Friday (Sep 24/25) at Pacific Theatre, Saturday (Sep 26) on the North Shore. These events are always amazing - and probably our best-kept secret. (So let's break it, shall we?) I'm not just selling here, these are often our hottest ticket, and many sell out - crazy, seat-of-the-pants mash-ups of music, scenes and monologues from plays, stories, poetry, humour, reminiscence, different every night. At Christmas, obviously, the gig is all about the season, but these non-seasonal ones are fantastic freewheeling opportunities for our astonishing line-up of musicians to cut loose, and for me to bring you some new spoken word treasures. The latest in a glorious series that includes PASSION, TESTIMONY and CONFESSION.

Normally we don't say in advance who's playing what night - mostly because things change at the last minute and we don't want anybody disappointed! But for PRESENCE we're making an exception - no idea why. Check out the list of who's performing when below to be sure you don't miss your favorite artists.

Carolyn Arends is a long-time Pacific Theatre favourite, with a huge and enthusiastic international following. What's new this fall is that Carolyn is fresh from the recording studio, laying down tracks for a new album! Rumour is that Thursday night she'll be performing several of those for the first time in public! And she'll be joined by mando man, fiddle fellow, guitar guy Spencer Capier (COTTON PATCH GOSPEL, DREAMS OF KINGS & CARPENTERS, etc.)

Pictured above with his band ("The Left" - part of The Peak's Performance Challenge), Kevin Gau is brand new to the Pacific Theatre stage! Our musical director and resident jazz pianist Nelson Boschman is pretty stoked: "Kevin is the front man for THE LEFT - a great new addition for the PT roster. I've known him since he was about 10...amazing talent, great voice, hard worker, sweetest guy on the planet. He knows Jer & Sher and a few other regulars. THE LEFT won the CFOX Seeds competition a few years ago and are now working on a pretty major studio project. Check out their stuff!"

Anna Vandas. Wow. Check out my enthusings from late August, when I first learned of some of the new artists who'd be joining us. Anna's magical video speaks for itself!

Also raved in that previous post is Peter La Grand, whose songs have been sung at PT shows before (though not by Peter - he's that highly-regarded a songwriter), and who shared the concert stage with Miriam Jones early this summer, but who makes his PT Season debut with PRESENCE. Fun moment in the office yesterday: I get an email from Peter and tell Andrea I'm forwarding it to her so she can get him some promo materials for the show, and one of our new apprentices goes "Peter La Grand? Peter La Grand? I listen to him all the time on web radio! He's got this amazing song about Judas they're always playing. That Peter La Grand? Whoa." So here's a link to some PLG internet radio...

I'm out of time, so it's up to you to click on the links below to find out more about Russ Rosen, Michael Hart, Jonathan Anderson (of Jonathan, Inc), Sheree Plett, Jeremy Eisenhauer (JESUS MY BOY), and our amazing house band...

Thu Sep 24
Anna Vandas
Carolyn Arends & Spencer Capier
Peter La Grand
Jonathan Anderson

Fri Sep 25
Sheree Plett
Jeremy Eisenhaur
Michael Hart
Anna Vandas
Peter La Grand

Sat Sep 26
(ON THE NORTH SHORE! Sutherland Church, 630 E 19 St, N Van))
Kevin Gau
Russ Rosen
Anna Vandas

The Band
Becca Robertson (bass)
Brett Ziegler (keyboard)
Rick Colhoun (drums)
Kenton Wiens (drums)
Nelson Boschman (piano)