Betty Spackman sent me this. Who woulda thought: a Hans Urs von Balthasar Festival! The post is from Transpositions, a blog created by students associated with the Institute for Theology, Imagination, and the Arts at the University of St Andrews.
If you think that Christianity is a cosmic drama and not merely a collection of private beliefs, that good theology should lead to faithful participation in this drama, and that God himself gets involved in the beautiful mess of this play, then there is a perfect conference for you! On August 15-17 in beautiful St Andrews, Scotland, the Institute for Theology, Imagination, and the Arts is hosting a conference on Theatrical Theology: Conversations on Performing the Faith.
Influenced and inspired by Hans Urs von Balthasar’s seminal work in The Theo-Drama, a growing number of contemporary scholars in various theological disciplines are discovering the potential for interdisciplinary conversation between theology and theatre. From a theological perspective, there are several reasons why drama and theatre present themselves as particularly fitting conversation partners, including the inherently dramatic form of God’s revelation in word and deed, the role of Scripture as a text which invites performance rather than passivity, faithful action as both the goal and means of theological understanding, the public and communal nature of theology, and the indeterminacy, provisionality, and ‘improvised’ nature of the theological task. For its part, theatre has always been compelled to acknowledge a debt to its ancient and longstanding entanglements with religious and theological perspectives, and may have much to gain from the process of revisiting and responding to these, not least in their present-day Christian form.
The task of pursuing a serious and constructive interdisciplinary exchange between theatre and theology, however, is one that has only just begun. Furthermore, suspicions persist in some theological quarters regarding the value of interdisciplinary approaches to theology as such, and towards theatre in particular which, among the arts, has experienced a particularly volatile relationship with the Church across the centuries. In response to all of this, Theatrical Theology: Conversations on Performing the Faith will seek to demonstrate the fruitfulness for constructive Christian theology and theatre alike of pursuing the conversation further, tracing some of the advances that have already been made, and identifying new challenges and opportunities still to be reckoned with as the interaction continues and develops further.
Short papers proposals are invited on the conference theme, including the following topics:
Theatrical models and metaphors in Christian theology
Character formation for life and the stage
Ethics, improvisation, and performative wisdom
Christian practices and theatrical skills
Scripture as dramatic text
Liturgy, worship, and performance
Theodramatic ecclesiology and company life
Mission and audience participation
Stage, place and contextual theology
Embodiment and performing the faith
Proposals should be for 20-minute papers to be followed by 10 minutes for questions. Please include in the proposal your name, institution, paper title, and abstract (not exceeding 200 words). Paper proposals will be considered immediately, and please send submissions by email to Theatrical.Theology@st-andrews.ac.uk before the deadline 15 June, 2012.
More information regarding conference proceedings and registration can be found at the ITIA website.