Okay, I'll say more. This Tarko isn't as explicitly about matters of faith as, say, Andrei Rublev or The Sacrifice. But a mystical Christian aesthetic informs every one of his films, and the images in this one are without parallel. Don't go looking for narrative: this is all about image. There is story there, but take my word: you'll be in the right frame of mind if you go to look at moving pictures rather than a movie: at visual poetry rather than a story onscreen. But if you're up for that... Wow.
Italy/USSR 1983. Director: Andrei Tarkovsky
Friday, October 18, 2013 - 6:30pm
Saturday, October 19, 2013 - 4:00pm
Saturday, October 19, 2013 - 9:10pm
Sunday, October 20, 2013 - 7:00pm
Wednesday, October 23, 2013 - 9:10pm
30TH ANNIVERSARY! NEW 35mm PRINT! ► A true gift to cinephiles: a new 35mm print of an unsurpassably gorgeous film by one of cinema’s greatest visionaries! We’re pleased to present the Canadian premiere of this deluxe 30th-anniversary re-release of Tarkovsky’s Nostalghia. Shot in Tuscany, and co-written with prolific Italian screenwriter Tonino Guerra (who also co-wrote Antonioni’s L’Avventura), Nostalghia was Tarkovsky’s first film made outside the USSR — he had finally tired of Soviet censorship — and proved to be his penultimate work. (1986’s The Sacrifice, made in Sweden, would be his last film.) While in Italy researching the life of an 18th-century Russian composer who died there, a Soviet musicologist has a sexually-charged but unconsummated relationship with his beautiful translator, and meets a mysterious madman (played by Bergman regular and Sacrifice star Erland Josephson) who is convinced that the world is about to end. Nostalghia is suffused with an almost overwhelming sense of longing and homesickness, and is composed of some of Tarkovsky’s most astonishing imagery. It shared, with Robert Bresson’s L’Argent, a special Grand Prize for Creative Cinema at Cannes in 1983 (given that year in lieu of the best director award). “Extraordinary ... Nostalghia is not so much a movie as a place to inhabit for two hours ... A world of fantastic textures, sumptuously muted colours, and terrarium-like humidity. This is a film that turns the spectacle of an ancient, leaky cellar into an image as memorable as any this century” (J. Hoberman, Village Voice). Colour and B&W, 35mm, in Italian and Russian with English subtitles. 125 mins.
"Tarkovsky's films remain so important today because of their ineffable spirituality."
Slant | full review